Reflections of Set and Horus in Yu-Gi-Oh!

It is time for their world to be destroyed. It is time for a new age, the Age of Horus. - Marilyn Manson

A lot of the people that used to spam my blog with their hate and immaturity don't actually read my posts. Sometimes things that I mention are not even conspiracy theory, but people still don't want to hear it. Yu-Gi-Oh! is an example of this. The children's anime series is literally based on Aleister Crowley and the occult (Thelema etc that specifically involve ancient Egyptian aspects). This can be read in detail here. The purpose of this post is to just focus on this single image and what it is conveying for those who don't know Egyptian mythology and the modern idolization of Horus.

In this depiction, everything uses the Eye of Horus symbolism. That is unique to this show. They really want to drill the eye into the minds of children instead of having the Eye of Horus being specific to only one character. Again, all of that is discussed in the post above. At any rate, you have a dark character with red hair. Red hair is the distinctive characteristic of Set, the enemy though sometimes cooperative counterpart (depending on myth) to Horus. Horus is reflected in the other character with the colors blue and gold (the colors of Horus, just like red is the color of Set). In modern occult fashion, Horus is not just the god of the rulers and elite as he was in the ancient world, he is also king/ruler/supreme, the antagonist and antithesis to God in general. That is why out of all the possible manifestations, it was Horus who sent a messenger to convey his message to Crowley. My point is emphasized below:

Taken from The Age of Horus:

The Aeon Tarot card, reinterpreted by Aleister Crowley in his Thoth Tarot deck. Notably, among other Egyptian symbolism from The Book of the Law is Horus throned in the framed center; Horus, ruler of the New Aeon.

The website also mentions this:

Within Aleister Crowley's philosophy and in regard to The Age of Horus, the "old gods", those of Christianity, Islam, Buddhism, etc, who are waning in their influence and reign over mankind. They are the "Dying Gods."

Egyptian Roots of Freemasonry

Blurb is taken from: Tracing the Generation of the Third Degree by Adrian T. Taylor, Ph.D. Founding Member of the David A. McWilliams, Sr. Research & Education Lodge

It stresses Osiris and Thoth but I say Freemasonry stresses Horus most of all with Thoth second and Osiris third, which is briefly alluded to given Horus' domain. Also, Thoth's involvement in the setting up of Set (not mentioned in the article) briefly shows their connection. For Muslim readers a reminder: The Golden Ass, mentioned below, is the work that Lawrence of Arabia carried with him while he set about the destruction of the khilafah and later recommended that Iraqis be gassed for having the nerve of rebelling against British colonialism. That is the great tolerance that Freemason propagandists constantly speak of--forcing their New World Order agenda and irreligious beliefs on others in the name of intellectualism and superiority. The reality of said tolerance is that almost anyone can become a Mason because its its own religion with deity, mythos and secrets, and rituals of worship. What goes on in the world is a different matter entirely.

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During the dispensation of Desaguliers, Egypt was the eternal, attractive enigma, especially for Esotericists. Egypt was thought to be “the fount of all wisdom and the stronghold of hermetic lore.” However, the dispensation of Desaguliers was not unique. The fascination with Egypt started with the Greeks; was constitutive of the legendary founding of the Craft as portrayed by the Gothic Constitutions; and continues to this very day. People during the dispensation of Desaguliers learned about Egypt through existent texts/translations of the Greeks, and others, which informed hermeticism and alchemy (and its “imagined” institutional perpetuation via the Rosicrucians).

Though the hieroglyphs were not deciphered until 1822 by Jean-Francois Champollion, Egypt was not a complete enigma. Renaissance and Enlightenment Europe learned about Egypt through the works of Herodotus, Plato, Plutarch, Strabo, Diodorus, Iamblichus, Clement of Alexandra, Horapollo, Apuleius, and others; and texts like the tractate Asclepius, the Corpus Hermeticum, the Tabula Smaragdina, and the Rosicrucian text Fama Fraternitatis (The Rosicrucian Manuscripts). The latter texts kept the image of Egypt alive for the dispensation of Desaguliers, rooted in the mythos of hermeticism and alchemy.

The patron of Hermeticism is fictitious. Hermes never existed in his many purported guises. In the foundational text The Secret History of Hermes Trismegistus: Hermeticism from Ancient to Modern Times, written by Egyptologist Florian Ebeling, we find that “The figure of this legendary Egyptian sage arose from the merging of two deities of highly divergent origin: the Egyptian god Thoth and the Greek God Hermes.”

For the Egyptians, Thoth (who the Egyptians called Tehuti) was mysteriously born in some accounts from the semen of the deities Horus and Set, containing within his being two warring elements. Thoth was typically symbolized by an ibis, a baboon, the head of an ibis on the body of a man, or as a human sage.

Thoth had many characteristics. In different dispensations, he was known as the deity of wisdom, inventor of writing/hieroglyphs, generator of sacred literature, superintendent of justice, inventor of the calendar, author of measurement, measurer of time, generator of rituals and sacred offerings, and inventor/practitioner of magic. In Egypt’s Hellenized (or Grecian) period (circa 332 B.C.E to 30 C.E.), his magical and/or “mysterious” elements became privileged, focused on easing one’s passage to the netherworld, such that it even became inappropriate to even speak his name.

After Alexander of Macedonia conquered Egypt in 332 B.C.E., Thoth became Hermes Trismegistus (thrice great), first portrayed by Akhmim in 240 C.E., though referred to as “twice great” around 570 B.C.E.

For the Greeks, Hermes was originally the “helpful messenger of the gods,” according to Ebeling. He had many attributes, from the god of community to the god of oratory. Similar to Thoth, “he conducted the souls of the dead in the netherworld… out of the shadowy realm and into the world above.” When he was merged with Thoth, he took on a new legend and attributes. He became the deity “of all wisdom, philosophy, and theology,” even teaching philosophy to the Greeks under his pseudepigrapha. He also became the deity of the “Egyptian Mysteries,” though there are grounds for a “hermetic lore” being rooted in Egypt.

Typically when people talk of the “Egyptian Mysteries,” they are appealing to notions of Egyptian secrets, sacred ritual, and ceremony—all attributed to Thoth. This brings us to “The Legend of Osiris,” and attendant ritual, ceremony and “mystery.”

Assessing the nature of the legend, we find the following amended account by the British Museum:

Osiris was the king of the earth and Isis was the queen. Osiris was a good king, and he ruled over the earth for many years. However, everything was not well. Seth [or Set/Typhon] was jealous of Osiris because he wanted to be the ruler of the earth. He grew angrier and angrier until one day he killed Osiris. Osiris went down into the underworld and Seth remained on earth and became king. Osiris and Isis had one son called Horus. Horus battled against Seth and regained the throne. After that, Horus was the king of the earth and Osiris was the king of the underworld

Ironically, at least during the Hellenized period of Egypt, if there were any secrets, they were out. The Legend of Osiris was public knowledge. As such, the “Egyptian Mysteries” were not so mysterious/secret. It was dramatically/symbolically depicted by Plutarch circa 100 C.E; viewed as a public morality play and seemingly derided by the Christian Minucius Felix circa 200 C.E.; and it was referenced as a three degree initiation ritual by Apuleius circa 200 C.E., though expressed cautiously. The words of Apuleius are instructive, given that his work appears to be the ancient foundation of Masonic ritual and ceremony:

Perhaps, curious reader, you may be eager to know what was then said and done [during the Mystery Initiation/s of Isis/Osiris]. I would tell you were it lawful for you to hear. But both the ears that heard those things and the tongues that told them would reap the evil results of their rashness. Still, however, kept in suspense, as you probably are, with religious longing, I will not torment you with long-protracted anxiety. Hear, therefore, but believe what is the truth. I approached the confines of death, and, having trod on the threshold of Proserpine, I returned there from, being borne through all the elements. At midnight I saw the sun shining with its brilliant light; and I approached the presence of the gods beneath and the gods above, and stood near and worshipped them. Behold, I have related to you things of which, though heard by you, you must necessarily remain ignorant.

In the passage above, we find Apuleius referencing a kind of dreadful death and “resurrection,” in this world, alluding to the immortality of the soul, in the next. Similar textual references can be found in Egypt, when tracing the travels of the sun god Ra and the tests of his companions in the netherworld by ferryman and the guardians of the gates.

Beyond ritual and ceremony, and the variety of texts that are attributed to Hermes, hermeticism was/is essentially a holistic-pantheistic philosophy, developed to communicate the following maxims: “That which is above is the same as that which is below;” and “all is part of one, or one is all.” Ritual ceremonies of initiation were contrived to make this ethos dramatically experiential, in Hellenized Egypt. Accordingly, this was the knowledge that was lost, which needed to be found. Informed by this “lost knowledge,” Ashmole, Newton (alchemist and purported Rosicrucian), Desaguliers and others in their dispensation, in the midst of the tensions between faith, reason and the State, would endeavor to recover and reconstruct the foundations for the idea that that there needn’t be any “false” distinctions between Man, Earth, and Cosmos. All is One, Spirit/Light.

Alchemy, rooted in spiritual transformation, through the metaphor of turning base metals into gold, is also traced to Egypt. It is important to account for given its practice during the dispensation of Desaguliers. According to the literature, it appears that alchemy “first flourished in Hellenistic Egypt in the first century.” It is an amalgamation of various philosophies, like the naturalist philosophy of Aristotle, the tenants of Stoicism, Gnostic doctrine, Babylonian astrological lore, “and motifs from Egyptian mythology, particularly the myth of Osiris.” The first recorded alchemical text is attributed to Zosimus. Valuing the hermetic doctrine, we find Zosimus communicating the following ethos:

In his Book on Immateriality, Hermes rejects magic [in opposition to Zoroaster] and says: ‘Pneumatic man, who has known himself, must neither achieve anything whatsoever with the help of magic, even if it is generally useful, nor must he defy necessity, but allow it to act according to its nature and its will. And he must now allow himself to be distracted along the way from his search for himself, to know God, and to understand the ineffable Trinity; and he must leave the filth subjected to him, that is, the body to Destiny, to do with it what it will.’

Later in the aforementioned text, laboratory experiments are on display for transforming base metals into finer substances. “But the spiritual side of alchemy predominates,” ultimately citing “the authority of Hermes Trismegistus.” As such, chemical metaphors are used to allude to “knowledge of self, God and nature.”

The latter realities were brought together, informed by the Scottish Enlightenment of the 17^th and 18^th Century, rooted in the Renaissance. The Renaissance, French for “rebirth,” was a period where Europe was effectively raised from the Dark Ages, imposed by ignorance, superstition and fear, into the light of the ancient world, as preserved by the Monastery, and the Moors from North Africa. It was at once a dispensation where “artistic, social, scientific, and political thought turned in new directions.”

In Eric Hornung’s text The Secret Lore of Egypt we find that the Renaissance becomes important because this renewed “encounter with Greek literature [e.g. Plutarch, Diodorus and Iamblichus], particularly in the framework of the Platonic Academy in Florence, awakened fresh interest in the classical accounts of Egypt and its superior wisdom.” Similarly, “There was a special focus on late antiquity, an epoch that was thoroughly imbued with Egypt, while classical antiquity remained in the shadows.” Overtime, “Renaissance Hermeticism quickly spread to England, where Thomas More wrote a biography of Pico della Mirandola and depicted a religion with expressly Hermetic traits in this Utopia (1516) and also propagated the idea of religious freedom.” These ideas were also foundationally advanced, and re-imagined in England, through the New Atlantis (1626) by Francis Bacon.

Rosicrucianism, rooted in Renaissance Hermeticism and alchemy, would also “spread to England,” committed to the “idea of religious freedom,” captured in the text Fama Fraternitatis. Though the founder (Christian Rosenkreutz) and the beginning of the order appear to be legendary, the following is clear about the Rosicrucians, for the purposes of this research: they emerged in the beginning of the 17^th century; they are rooted in hermeticism and alchemy; they trace their legendary roots back to ancient Egypt; and according to the illuminating work of Hornung, “The New Order proved to be attractive to many Freemasons,” especially informed by their religious tolerance.

Two Occult Books Worth Checking Out...

There are a number of actual Luciferian books and Satanic books and various other Left Hand Path stuff that I'm not going to bother to mention at this time--most can be easily found on Amazon or at the Luciferian Apotheca website. Michel Ford is the big name in that genre. These two below are more relevant to this blog where I discuss connections to Germanic/Norse mythology:

The Fraternitas Saturni - Or Brotherhood of Saturn: An Introduction to Its History, Philosophy and Rituals
The Fraternitas Saturni is a Thelemite order which has shaped the modern occult scene in Germany since its foundation in 1928. This volume presents the history and doctrines of that order. Appendices include the texts of many actual rites performed by the FS as well as historical documents relating to Aleister Crowley's relations with the FS. This order is especially well-known for its use of sexual magic. This book was originally published in the early 1990s by Llewellyn under the title Fire and Ice. xii + 117 p.

Freemasonry and the Germanic Tradition
Here we have a multifaceted study consisting of five essays or articles the introductory piece is entitled "My Masonic (Mis-)Adventure" and details the author's brief interaction with a local lodge, then follow two articles: "Roots of Masonry in the Scandinavian Gild System" and "Reflections of Germanic Mythic Tradition in Masonic Ritual." These convincingly show the origins of the essence of Masonry not in the "Holy Land," but in Northern Europe. Appended is a translation of Guido von List's "Origin and Symbolism of Freemasonry" (1910). Finally there is a short concluding piece entitled "A Charge to All Worthy Brothers" in which the author calls on individuals to help restore the original spirit and mission of Masonry.

While I haven't actually read those books to testify to them personally, I have read Flowers' book on Hermeticism, and it was pretty solid for what it was (I'm a straight to the source person) so trust that these would similarly be.

Reblogging: Brief History of Freemasonry

Short and to the point about the general history of Freemasonry, starting with its origins. It of course leaves a lot out, but again, think of this as a general overview for neophytes. One-eyed deities have always been associated with rulers and the elite of any given society that have had such a pantheon, and they always will be until the end when the one-eyed dajjal (antichrist) will come and assert his godhead as has been prepared for.

Un Chien Andalou - The Power of Eye Symbolism

Everyone is free to find in my films anything he likes or whatever is useful to him.~ Luis Buñuel

Un Chien Andalou is a 16 minute short film from 1929 by Luis Buñuel and Salvador Dali that's thoroughly surrealist. As such, it's primary influence in life and dreams. Additionally, the images used in the film are only symbolic in a subconscious sense, although that can actually be debated given the very blatant anti-religion theme, which is common in Luis Buñuel's works overall.

The scene in the film that's relevant to this blog is perhaps the most famous scene of the entire film.


Wikipedia sums it up nicely:

The film opens with a title card reading "Once upon a time". What may be the film's conclusion unfolds; a middle-aged man, (played by Buñuel), sharpens his razor at his balcony door and tests the razor on his thumb. He then opens the door, and idly fingers the razor while gazing at the moon, about to be engulfed by a thin cloud, from his balcony. There is a cut to a close-up of a young woman, (Simone Mareuil), being held by the man as she calmly stares straight ahead. Another cut occurs to the moon being overcome by the cloud as he slits the woman's eye with the razor.

The inspiration for that specific scene came from a dream Luis Buñuel had where a cloud sliced the moon in half, which made him think of an eye being sliced by a razor.

While the blinding of Horus by a spear could be read as part of the symbolism in this, the greater commentary from the subconscious is the correlation between the eyes and the sun and the moon and the subsequent powerful presentation in mythology and occult, notably in Egyptian and Norse beliefs. Despite the graphic nature of the scene, it's of no surprise that it's the most enduring aspect of the film. The Eye of the Sun (Wedjat) and the Eye of the Moon (Wadjet) are potent references which have clearly endured in various forms, now most predominantly used by the Freemasons and Illuminati respectively to symbolize their deity. The imagery and symbolism is forced on us in various forms that it pops up all over the place regardless of the conscious intentions of its presence.

Freemasonry in Mickey Mouse Clubhouse

Just the other day was making jokes about seeing an A that looked more like a golden triangle so must have been a sign of the Illuminati and yadda yadda (because I don't always take myself so seriously). Well, sadly, the next morning I saw on Mickey Mouse Clubhouse something which was less than my imagination on an episode about...duh duh duh...triangles:


It's so corny it's hard to believe, but it's really there. I've only ever seen that use of the Eye of Horus that particular episode. It should also be noted that in this case, the Eye is without the triangle, making the reference to triangles less blatant and relevant to the episode but nevertheless connected. Also, it needs to be noted that the Eye is crowned. That goes along with the theme of Horus being the god of rulers (or Odin as the god of the elite), or alternatively, the rule of the one-eyed "god" Dajjal (antichrist). Lastly, the rays of illumination are present, sealing the reference to the Eye of Horus.

Also in that screen capture Mickey Mouse's hand can be seen holding three wrenches with different shapes in them. That's part of the triangle theme because the missing wheel on the skateboard has a triangle screw.


That's what makes the Eye of Horus relevant. As can be seen, there is also a star wrench, which could be argued is another intentional symbolic reference. Who knows, it could be very likely. But with stuff like this it's hard to argue intention. Was skateboard design the work of a bored artist who thought it'd be a fun adult reference to make just because he/she could? Or was it put there on purpose? My purpose is to just point out what I observe.

Androgyny in the Occult

There are many references in the occult realm to androgyny. Even at the all-male Bohemian Grove, there had been cross-dressing, some for the performance of plays, others not. Even the Templars, the precursors to Freemasons, were accused of having some kind of bearded idol, as I've pointed out. Let me quote from Witchcraft: The Old Religion by Dr. Leo Martello on the subject:

Another belief was that the ancient Gods and Goddesses were androgynous, possessing the sex organs of both sexes, thus able to reproduce themselves. There are countless carvings, engravings, paintings, and statues depicting the ancient deities as hermaphroditic. Such figures have been discovered dating from the neolithic age in Spain, Yugoslavia, and elsewhere. A clay hermaphroditic idol was found in Yugoslavia and dated from the Bronze Age. The word itself is derived from Greek mythology: Hermaphroditus was a son of Hermes and Aphrodite, who while bathing became joined in one body with a nymph. There are many imaged of "bearded ladies," including the Goddesses Diana and Isis as two examples. The Goddess Neith with a fully erect male organ, as was the Nordic Venus, Friga (Freya); Venus, Aphrodite, Baal, Mithras, Zeus, Adonis, Dionysus, and countless other deities were described and portrayed as androgynous.

In my book Black Magic, Satanism, and Voodoo, I wrote, "In the oldest records of India, China, Babylon, Egypt and Greece the first gods are represented as bisexual. The Greeks often depicted Apollo as both male and female. Bacchus was similarly described. Prochus commenting on the Timaeus of Plato says: 'Jupiter (Zeus) is a man, Jupiter is an immortal maid.' Citing further Orphic verse it mentions that all things are contained 'in the womb of Jupiter.'

"In Cyprus, Venus, depicted as Aphrodite, sometimes had a beard! Diana or Artemis had characteristics of both sexes. Orpheus taught that since the gods possessed the generative powers to create all things, they were, of necessity, both male and female. Babylonian tradition described the first men as having one body and two heads. one male and one female. A Hindu scholar drew a figure of Brahma, during the act of creation, making him bisexual. The Babylonian God Tammuz was consecrated a Qedesha (Kedesha) which is a sacred prostitute (I Kings 19:24). Jahveh, the Hebrew God, is made up of Jah masculine and the second syllable from havvah, feminine. It comes from Yaw or Yah, the name of a prehistoric male-female moon-god venerated by South Arabian Semitic tribes. The Jews tagged on the feminine root making it Yahweh or Jahwah. The Christian Bible spells it as Jehovah because of an error in translation. The Books of Job and Isiah depict Jahwah as having the characteristics of both sexes."

(I don't necessarily endorse the last opinion, just including it to show what is believed)

Horus in Film - Immortel Ad Vitam (Immortal)

Some superficial things to take into consideration in association with Horus symbolism. Namely, the pyramid, the one eye, face paint very vaguely reminiscent of a falcon to emphasize one eye, falcon (rarely present anywhere else, though) and the color blue. Those are all symbols of Horus that can be found elsewhere in the film and music industry to varying degrees where relevant. Even in cosplay related to the film, the woman covers one eye with her hair Lady Gaga-style instead of finding a way to actually have the character's short hair.

The plot: This surreal sci-fi flick posits a dystopian future where genetically engineered beings coexist with eugenically altered humans and ancient deities. The god Horus (voiced by Thomas M. Pollard) -- one of mankind's creators -- is set to be put to death but has a week's reprieve. To perpetuate his effect on the world, Horus plans to reproduce. The trouble is, he needs a host body to inhabit and a woman capable of carrying an unearthly child.

A review form IMDB adds: HORUS (the god of the sky), about to be executed by his peers, is given 7 days to visit Earth for the last time. He spends his time searching for a particular woman he wants to impregnate. To do that he needs a human body to act as his vessel (or container). An accidentally escaped terrorist (or we can call it a rebel) becomes it. The woman herself is having mysterious body changes and a complete lost of past memories. A lot of small events and characters are involved in the whole situation.




Personally, when I watched it a long time ago it put me to sleep. It's a big hit among people into the occult and the metaphysical. Lovers of the film naturally say that if you don't like it, you must be daft. Here are some screen captures:

The Veil of Isis or Mysteries of the Druids Online

The Veil of Isis or Mysteries of the Druids

by William Winwood Reade.
1861

From Wikipedia: Reade was an atheist and a social Darwinist who believed in survival of the fittest and wanted to create a new civilization. Though, at the same time, at least in this work, he seems not too thrilled by Freemasonry.

All comments in brackets and bold are mine. A lot of this is generic to neopaganism/discussions thereof (more concerning syncretic traditions and less among purists who understandably argue that such generalizations deny the uniqueness of each culture). It's somewhat similar to Isis Unveiled by H.P. Blavatsky. Just selected four things from the work to highlight in particular. The work gives clues to certain things that I try to repeat from my own experiences, things that are considered significant to occultists in regards to using pagan traditions/beliefs:

"By the bright circle of the golden sun,
By the bright courses of the errant moon,
By the dread potency of every star,
In the mysterious Zodiac's burning girth,
By each and all of these supernal signs,
We do adjure thee, with this trusty blade
To guard yon central oak, whose holy stem,
Involves the spirit of high Taranis:
Be this thy charge."-MASON

====

These two Deities, Isis and Osiris were the parents of all the Gods and Godesses of the Heathens, or were indeed those Gods themselves worshiped under different names. The fable itself was received into the mythologies of the Hindoos and the Romans. Sira is said to have mutilated Brahma as Typhon [Set] did Osiris, and Venus to have lamented her slain Adonis, as Isis wept for her husband-god.

As yet the sun and moon alone were worshiped under these two names. And as we have seen, besides these twin beneficial spirits, men who had begun to recognize sin in their hearts had created an Evil One who struggled with the power of light, and fought with them for the souls of men.

It is natural for man to fabricate something that is worse than himself. Even in the theology of the American Indians which is the purest of the modem world, there is found a Mahitou or dark Spirit.

Osiris or the sun was now worshiped throughout the whole world, though under different names. He was the Mithra of the Persians, the Brahma of India, the Baal or Adonis of the Phoenicians, the Apollo of the Greeks, the Odin Of Scandinavia [ODIN is actually closer to HORUS], the Hu of the Britons, and the Baiwe of the Laplanders.

Isis also received the names of Islene, Ceres, Rhea, Venus, Vesta, Cybele, Niobe, Melissa--Nehalennia in the North; Isi with the Indians; Puzza among the Chinese; and Ceridwen among the ancient Britons.

====

There is scarcely a spot in the world in which the serpent has not received the prayers and praises of men. At first an emblem of the sun's light and power, it is worshiped in lands where the sun is not recognized as a Deity, for instance on the coasts of Guinea where the negroes curse him every morning as he rises, because he scorches them at noon.

The winged serpent was a symbol of the Gods of Egypt, Phœnicia, China, Persia, and Hindostan. The Tartar princes still carry the image of a serpent upon a spear as their military standard. Almost all the Runic inscriptions found upon tombs are engraved upon the sculptured forms of serpents. In the temple of the Bona Dea, serpents were tamed and consecrated. In the mysteries of Bacchus, women used to carry serpents in their hands and twined around their brows, and with horrible screams cry, Eva! Eva! In the great temple of Mexico, the captives taken in war and sacrificed to the sun, had wooden collars in the shape of a serpent put round their necks. And water-snakes are to this day held sacred by the natives of the Friendly Isles.

It was not only worshipped as a symbol of light, of wisdom and of health, personified under the name of God, but also as an organ of divination. Serpents formed the instruments of the Egyptian enchanters, the fetich of the Hottentots, and the girdles of the medicine-men of the North American Indians. The Norwegians, too, of the present day, when hunting will often load their guns with serpents to make them fortunate.

The serpent must have obtained this world-wide worship from its beauty, and its wisdom. Subtle in heart beyond all the beasts of the field; rapid and mysterious in its wary footless movements, to which the ancients were wont to resemble the aerial progress of the Gods; above all its eyes so bright, so lovely, so weird in their powers of facinations, no wonder that it should excite the awe and admiration of superstitious barbarians.

====

I also discovered as I thought, a key to the tradition of Hiram Abiff, which I have just related, viz., that it was simply the story of Osiris (killed by Typhon the Evil Spirit [Set], buried in a coffin and found by Isis) so corrupted by modern Masons.

Some Brief Information on Project Monarch

I'm very skeptical of a lot of the things attributed to Project Monarch, so am only posting a couple of links that do not deal so much in the personalities that have made it famous, or conjecture about who is or isn't involved etc.

Project Monarch: Serious. Torture. is an excellent starting point for learning more. It examines the claims and rather keeps away for the more out-there assertions. As the author states: In previous readings on Project Monarch, I had been fortunate enough not to come across O’Brien or Phillips’ controversial writings, nor even Martin Cannon’s article on the subject. In doing research for this writeup, I was especially careful not to use them as resources. There is some hard to believe stuff in it (and I don't believe everything included in it), like in other Project Monarch discussions, but this article focuses primarily on CIA activities that are known and related.

I guess one of my main problems with the way it is described is that it seems like a lot of trouble for nothing. I can go along with Manchurian Candidates and the like, people being programed to carry out certain functions in that way, but when it gets to sex slave stuff, it's harder for me to understand. Child prostitution is very real and those children don't need their personalities split in order for the abusers to assault them, even when the abusers are rich and powerful. A very good movie on the realities of child prostitution is Gardens of the Night. Not only does it show a rich and powerful pedophile, but it also addresses how the status of said sicko was used to raise the victim's self esteem (i.e. someone important wants you).

Nevertheless, for those who are specifically interested in learning more about that aspect of Project Monarch there is this article: MK-ULTRA Mind Control: Clinton Apology, Victim Testimony and More. It has some things in it that I haven't seen elsewhere, though again I don't accept everything it posts. Also on the bottom there are some links to similar articles like the Franklin Scandal.

Symbolism in Lady Gaga & Beyonce's Video "Telephone"

I recently watched the video (with the sound off, the song annoys me) and saw a ton of things that I had to capture them all and point them out. This is one of the videos with the heaviest use of the one-eye imagery of Horus (Eye of Horus, dajjal, wadjet, wedjat) . I couldn't catch every single thing. I'm sure others will. For instance, I left out the poisoning theme of Lady Gaga and the skull and cross bones and bee symbolism. I'm also not going into the symbolism of the entire video. I don't do that because it's very subjective and could throw off the blatant symbols if wrong.

Onto the video captures (click for somewhat larger image):

In this clip one can faintly see the faux beauty mark under her right eye that is the beginning of the emphasis on one eye. It also introduces the constant theme of black and white clothing that's in this particular sequence of the video. It's convenient because of the prison environment (i.e. fashionably representing the stripes in various ways) but there is no doubt in my mind that it references the Masonic and occult obsession with duality.

Here Lady Gaga is draped in chains. Like the constant black/white imagery, it fits the prison theme. However, is it revealing something deeper, perhaps the tradition of the one-eyed Dajjal being chained? Even Loki in the Norse tradition was also chained (albeit with the intestines of his children, but similar concept).

Flashing of a triangle that has no valid reason to be there. Also it's diamond studded, which is common in videos.

That is a tattoo of the infamous demon Beelzebub. Lady Gaga eventually kisses that woman.

Closer shot of the earlier subtle emphasis on one eye (in a different outfit).

More of the one eye.

The a-okay symbol, that some believe to represent 666, but that I personally believe to be the Eye of the Moon aka Wadjet, the counterpart to Horus both with his own eyes and also attributed to the serpent goddess of the same name. It fits the obsession with duality.

Eye of Horus. again. Also, could argue the triangles present in the hat, though some may say it comes from the practicality of turning a phone into a hat. Also, it's a shade of blue. Blue is the color of Horus and also of the Norse one-eyed god Odin (though hard to imagine Odin with such a bright shade, his blue is more along the lines of her eye shadow).

Eye of Horus and the a-okay signs. Could argue that although the yellow is reminiscent of the police tape, it's also like the golden light typically around the Eye of Horus used by Freemasons.

Still more of the one eye imagery.


Now here's Beyonce giving tribute to the Eye of Horus and Wadjet with the a-okay sign, and even hand awkwardly bent into a partial triangle and her other eye emphasized by a star. Not captured is Lady Gaga with a big star under her eye. I couldn't catch it clear enough but it's the usual one eye obsession.

Here Lady Gaga is actually in blue (it's not lighting shining on white) and Beyonce is in black. That's a rather odd combination because white would be preferred although the blue matches with the yellow and Gaga's eyeshadow. But again, Horus' color is blue, just like Odin. The black could represent the occult concept of Set or Loki even though their primary color is red (remember, they are the counterpart to Horus and Odin).

The one eye thing never gets old for Lady Gaga, I suppose.


This clip is actually the reason I even bother with the blue/black symbolism. Here they are joining hands, joining the blue and the black in sisterhood. Well blue of Odin and the black of Loki were joined (by blood) into brotherhood. Horus and Set have a similar tradition later on in regards to rulers.

A Couple of Occult Principles in an Interpretation of Germanic Mythology

For starters: The Teutonic Origins of the New World Order. That subject has to be tread with carefully, though, because some similar discussions are disinformation. There is a common and antisemitic claim that's intentional disinformation from Freemasons that Freemasonry was good and noble Anglo-Saxon-Germanic society until it was infiltrated by Jewish bankers. I guess that's why it used Egyptian mysteries, huh? Basically, it's completely untrue. What is true and causes the confusion, is that the Jews were considered the old "chosen people" and these new white occultists were the new chosen ones, institutionalizing the obsession with race, especially Judaism as a race. Here is it in their own words:

"Looking back into history, we can easily see that the Guiding Hand of Providence has chosen the Nordic people to bring in and unfold the new order of the world. Records clearly show that 95 per cent of the colonists were Nordics-Anglo-Saxons. Providence has chosen the Nordics because the Nordics have prepared themselves and have chosen God... Just as Providence has chosen the Jewish race - the Children of Israel - to bring into the world righteousness by carrying the 'Ten Commandments' which emphasize 'Remember the Sabbath Day and keep it holy,' so also Providence has chosen the Nordic Race to unfold the 'New Age' of the world - a ' Novus Ordo Seclorum'. " - Bro. C. William Smith's "God's Plan in America," in the September 1950 issue of The New Age Magazine.

Freemasons and their supporters will naturally argue that that is just the opinions of one man and that he doesn't speak for the rest. While that is true is of the generic Freemason, it's clear that it reflects the Masonic use and interest in Kabalah and especially the race-focused and anti-God ideology of Zionism, and other things.

While pursuing my hobby of looking deep into mythologies, I came across these excerpts from Viktor Rydberg's Teutonic Mythology. He was quite a notable writer and someone who would interest Freemasons, Luciferians and the like that would want deeper understandings and connections to various religious traditions. He's an especially good candidate because his writings and opinions concerning Germanic mythology were sometimes controversial and often debated.

Below are two fragments that illustrate occult concepts that may or may not be actually present in Germanic mythology.


The Heimdall blurb below seems to speak of a Lucifer concept, and one connected to Freemasonry by specifically invoking Odin as the "one-eyed old man," emphasizing that aspect of the god.

When Hadding in this manner had lost his companion, he considered himself abandoned by everybody; but the one-eyed old man had not forgotten his favourite. He sent him a faithful helper, by name Liserus (Saxo, Hist., 40). Who was Liserus in our mythology?

First, as to the name itself: in the very nature of the case it must be the Latinising of some one of the mythological names or epithets that Saxo found in the Norse records. But as no such root as lis or lís is to be found in the old Norse language and as Saxo interchanges the vowels i and y, [*] we must regard Liserus as a Latinising of Lýsir, "the shining one," "the one giving light," "the bright one". When Odin sent a helper thus described to Hadding, it must have been a person belonging to Odin's circle and subject to him. Such a person and described by a similar epithet is inn hvíti áss, hvítastr ása (Heimdall). In Saxo's account, this shining messenger is particularly to oppose Loki (Hist., 40). And in the myth it is the keen-sighted and faithful Heimdall who always appears as the opposite of the cunning and faithless Loki. Loki has to contend with Heimdall when the former tries to get possession of Brísingamen, and in Ragnarok the two opponents kill each other. Hadding's shining protector thus has the same part to act in the heroic saga as the whitest of the Asas in the mythology. If we now add that Heimdall is Hadding's progenitor, and on account of blood kinship owes him special protection in a war in which all the gods have taken part either for or against Halfdan's and Alveig's son, then we are forced by every consideration to regard Liserus and Heimdall as identical (see further, No. 82).

[* Compare the double forms Trigo, Thrygir; Ivarus, Yvarus; Sibbo, Sybbo; Siritha, Syritha; Sivardus, Syvardus ; Hiberniu, Hybernia; Isora, Ysora.]

This second blurb addresses the concept of androgyny that is a principle in Satanism ( best shown with Baphomet) but also elsewhere such as in Gnosticism. In this case, Satanism fits better since Loki is considered to be the agent of evil in a mythological system that doesn't normally quantify good and evil (which may be part of the controversial interpretations beyond the explanations of races and the like by Rydberg).

The half-burnt heart, accordingly, contains the evil woman's soul, and its influence upon Loki, after he has swallowed it, is most remarkable. Once before when he bore Sleipnir with the giant horse Svaðilfari, Loki had revealed his androgynous nature. So he does now. The swallowed heart redeveloped the feminine in him (Loki lindi af brendu hjarta). It fertilised him with the evil purposes which the heart contained. Loki became the possessor of the evil woman (kviðugr af konu illri), and became the father of the children from which the trolls (flagð) are come which are found in the world. First among the children is mentioned the wolf, which is called Fenrir, and which in Ragnarok shall cause the death of the Asa-father. To this event point Njord's words about Loki, in Lokasenna 33: áss ragr er hefir börn of borið. The woman possessing the half-burnt heart, who is the mother or rather the father of the wolf, is called Angurboða (ól úlf Loki við Angurboðu). N. M. Petersen and other mythologists have rightly seen that she is the same as "the old one," who in historical times and until Ragnarok dwells in the Ironwood, and "there fosters Fenrir's kinsmen" (Völuspá 40), her own offspring, which at the close of this period are to issue from the Ironwood, and break into Midgard and dye its citadels with blood (Völuspá 41).

Some Random Modern Art with Dajjal, Eye of Horus, Bohemian Owl and Horned God

Probably nothing as artists pull from a variety of sources, after all, but these things I found on a blog caught my eye and thought it couldn't hurt to share.

Eye of Horus pyramid. Shirt says "Future Primitive." From this site.

Bohemian Owl + Horned god+ Cthulhu references or just random?

Dajjal/Eye of Horus reference for Zionist movie?

A Brief Revealing of Paganism, Magick and Alan Moore

I recently came across these videos on Facebook and thought they were pretty good for understanding the basics of things from the perspective of a pagan or practioner of magick (regardless of path), and especially from someone whose works of art discuss conspiracies. They are in line with everything I had learned before Islam. Alan Moore is a good source. I first learned about him when I was much younger when I heard a track from The Moon and Serpent Grand Egyptian Theatre of Marvels, although I never officially knew who he was.

At any rate, let me start with the basics: paganism.

The short video below goes into the basic idea behind paganism, the basic reason that many people convert to paganism and why even if they are in one tradition only, they will still research the others to learn about their own origins and beliefs. This is key and relevant to conspiracy stuff because there are tie ins. Notably, the idea of monotheism being oppressive and heavy and the world being loaded with "spirits" who want nothing more than to always be friendly and accommodating to you as long as you give them pleasing offerings whether it's in the form of incense/smoke, animal blood, food, drink, music, singing or dancing with or without the use of mind altering substances. As the video alludes to, many prophets, especially Jesus (as), were considered to have been nothing more than shamans or magicians. It is common in some circles like in stregheria, to see "Christ the Magician" thrown around. The video also briefly alludes to Hermetic Qabalah and its paganism, which is essentially the basis for Freemasonry. Despite a historical antagonism between Hellenism and Judaism which is where antisemitism originates from (West = light and freedom, Judaic monotheism = darkness and oppression), this was not applied to Qabalah because of its magical nature (if it teaches something allegedly hidden it must be good, is the idea) and so both were combined to form the syncretic tradition.



Now briefly onto magick:

This video is specifically about an alternate way of looking at magick, namely how art is considered magick. This is again something pretty standard that is learned by thinking pagans et al., and more of a cultural observation if anything, a justification for dabbling in a magical path. Of course, as a Muslim I don't take it literally, that all these things are magical arts and so haram (forbidden). However, it sheds light on how the arts can be construed as tools that can used to control mankind (which Alan Moore explains). Also, this is consistent with certain Masonic teachings, namely that everything is magick, something which is explained in The Mysteries of Magic: a Digest of the Writings of Eliphas Lévi by Éliphas Lévi and Arthur Edward Wait. The significance of that it offers a further basis for why occult and Masonic images, symbols and words/concepts are repeated. It's not simply to get people used to them, it's a magical technique in and of itself. Rituals and spells often involve repetition. The repetition is necessary for the ultimate manifestation of will--the more something is repeated the stronger one's will is for the event to happen. Television , movies and music work especially well for this because of the states they put a person in i.e. people are more subconsciously receptive.



I want to conclude with Alan Moore's opinion of conspiracies:

In sum, it is his belief that there is some crazy stuff out there that's going on, but there is no unified system to it. It's pretty much chaos. You see this in the game Illuminati, where the creator, Steve Jackson, explained how he came across so many theories and bad guys that he made the game be such that you play different types of groups vying for control of the world (some completely fictional though). I've seen this elsewhere in some video game promotion where different groups thought they were controlling everything. In my opinion it seems to make the most sense. The common denominators from my personal observations are: money (average people contributing to bad things for a pay check, for instance), placing desires above all else (which is fickle and creates chaos around a person and ultimately in the world) and control (manipulation and/or physical or mental subjugation of others).

The Nebra Sky Disk Mystery

One of the things I love is unexplainable or "anomalous" archaeological finds. Though such things are often polluted with forgeries, it's still a fascinating subject. It often changes how others view the ancient and even paleolithic peoples and their level of advancement. Because of social Darwinism and ethnocentrism, it is always assumed that people of the past were less intelligent and more primitive than us (primitive being a loaded term that can signify a number of things both mentally, culturally and technologically). The more accurate way of thinking of the past is that is was simply different and accommodated to the technology available to the cultures that was most beneficial, and to the belief systems that dominated.

Some time ago I saw a documentary on this Sky Disk from the Únětice Bronze Age culture in Germany circa 1600 B.C. Unfortunately, I am not well-versed in astronomy so will have to rely on links to best convey information about this artifact. It doesn't take a knowledge of astronomy, though, to understand how unique of a find this is.

The Nebra Sky Disk

Since the Nebra Sky Disk (also known as the Nebra Sun Disk) of Germany emerged into public knowledge in about the year 2000, archaeologists and astronomers have put forward their theories about how it worked and what it meant to the ancient society that fabricated it.

I have assessed it from the standpoint of the scientific knowledge that was encoded into ancient European megalithic sites or early edifices, such as those of the Giza Plateau, and so will now give an account of how I, personally, would have used this artefact as a memory device, based upon easily decipherable, ancient mathematical methodologies.

The Mysterious Nebra Star Disk: Archaeological Wonder of Bronze Age Europe

But because no advanced civilization this advanced in astronomy had ever been found in Europe, many archeologists assumed that this was brought to Europe from the East by travelers or traders. By analyzing the copper and gold on the, however, scientists were able to verify that the disc was made in Europe and not brought from Egypt or Mesopotamia.

Looking closer at the disc, researchers began to recognize other parts of the picture. There is a curved line that is believed to represent what historians call a sun-ship, a prehistoric religious symbol that was thought to have originated in Egypt with the myth of the sun-god Ra. Golden bands on either side of the disc represented the solstices, with an angle that measures 82 degrees. It is only in that specific location, near the Mittelberg, in Germany, that the sun would rise and set at those particular angles on the solstices.

BBC: Secrets of the Star Disk

I nearly had tears in my eyes because it came to as a surprise to all of us because we would imagine such a find in Egypt or Mesopotamia but not in central Europe, central Germany. And so it was fantastic to all of us and I nearly had tears in my eyes yes.

Decipherment of the Nebra Sky Disk as Depicting a Solar Eclipse at the Pleiades and the Vernal Equinox Point on April 16, 1699 - LexiLine Journal 394

(A different opinion on the astronomical significance)

According to the clear and incontrovertible evidence of the Latvian Dainas, which represent an archaic status of Indo-European astronomical knowledge in northern Europe, the Sun is in the solar boat by night only, and not by day. Hence, the Nebra Sky Disk can only represent the sky by day and thus the disk can only be the representation of a solar eclipse, since the Sun, Moon and Stars are all depicted together on the disk, something which occurs only during the rare phenomenon of a solar eclipse.

Wikipedia's entry for it

If authentic, the find reconfirms that the astronomical knowledge and abilities of the people of the European Bronze Age included close observation of the yearly course of the Sun, and the angle between its rising and setting points at summer and winter solstice. While Stonehenge and the Neolithic "circular ditches" such as the 5th millennium BC Goseck circle were used to mark the solstices, the disk is the oldest known "portable" instrument to allow such measurements.

Youtube also has multiple videos related to it that can be found with a simple search.