Roots of the Christmas Tree

Rome borrowed most of its mythology from its conquered people, primarily the Greeks. However the Saturnalia has strong roots in the central Egyptian mythological story.

The Sun-god Osiris and his consort, Isis, together with Re-Atum, the "Father of the Gods," were regarded by the ancient Egyptians as the supreme rulers of a Golden Age of plenty called Zep Tepi or the "First Time." Their kingdom ended abruptly when Osiris was murdered by his evil brother, Seth. The childless Isis searched for the dismembered body of Osiris, which she then reassembled and resuscitated long enough to conceive a son named Horus. Horus was believed to be the reincarnation of Osiris, and the new husband of Isis, whose destiny it was to repossess the Kingdom of Osiris from the control of Seth.

The tradition of the Christmas tree symbolically portrayed the death and reincarnation of Osiris in his son, Horus:

The Christmas tree, now so common among us, was equally common in Pagan Rome and Pagan Egypt. In Egypt it was the palm tree; in Rome it was the fir; the palm-tree denoting the Pagan Messiah, as Baal-Tamar, the fir referring to him as Baal-Berith. The mother of Adonis, the Sun-God and great mediatorial divinity, was mystically said to have been changed into a tree, and when in that state to have brought forth her divine son. If the mother was a tree, the son must have been recognized as ‘Man the Branch.’ And this entirely accounts for putting the Yule Log into the fire on Christmas Eve and the appearance of the Christmas tree the next morning. As Zero-Ashta, ‘The seed of the woman,’ ...he has to enter the fire on ‘Mother night,’ that he may be born the next day out of it, as the ‘Branch of God,’ or the Tree that brings divine gifts to men.

Alexander Hislop, The Two Babylons or The Papal Worship, Loizeaux Brothers, 1916

Source

Some Uncommon Masonic Tracing Boards








The Occult in The Secret of Kells

The animated film, The Secret of Kells, is a highly esoteric film. Here's a pretty thorough plot summary from the Internet Movie Database:
Young Brendan lives in a remote medieval outpost under siege from barbarian raids. But a new life of adventure beckons when a celebrated master illuminator arrives from foreign lands carrying an ancient but unfinished book, brimming with secret wisdom and powers. To help complete the magical book, Brendan has to overcome his deepest fears on a dangerous quest that takes him into the enchanted forest where mythical creatures hide. It is here that he meets the fairy Aisling, a mysterious young wolf-girl, who helps him along the way. But with the barbarians closing in, will Brendan's determination and artistic vision illuminate the darkness and show that enlightenment is the best fortification against evil?
I knew this when renting it but was surprised to see it open with what appeared to be an Egyptian obelisk only later to be shown fully as a tower.


However, it was no coincidence that it looked like an obelisk. It's shown again in a very different scene in full:

If the design looks familiar it's for good reason. Here's the Vatican's obelisk:


And Columbus Circle of Manhattan:

There is Set imagery in how the Vikings are portrayed (always shown in black as if shadows with red backdrops and demonic voices).


Also there is Set imagery when the main character enters the sanctuary of Crom Cruach (sorry no screen capture). That whole scene looks like it was taken out of an Egyptian mysteries initiation ritual where the initiate has to walk down the corridor with columns on either side of him in order to face the dreaded "Dark One" deity and his demonic shadowy minions before an eye shines down on him, protecting him (in the film it's a glowing circular symbol that was either the Eye of Columcille or the Eye of Crom Cruach). Crom Cruach was a solar deity much in the form of the beloved solar deities to Freemasons, although he is the Dark One in this.

There are also subtle references that can pass unnoticed because of the basic setting of the story. For instance, "he must be a stone mason," and "you used to be an illuminator."

Here is what follows a stereotypical falling down initiation scene that involves a Jormungander or Apep type serpent from whom he steals an eye (this image is from the graphic novel but pretty much the same in the film):

Another scene with the eye:

There is so much in this film that I don't have the time to cover it all as I've hardly had the time to blog in general, but maybe getting the subject out there will bring it to the attention of others who can focus on it more.

Servitude - What's Expected of a Sincere Mason


Most Masonic literature reads like any other spiritual tradition and is hardly anything to be criticized. After all, helping humankind is good, using your God-given brain is good, rejecting materialism is good, heck even how they describe the Creator and other religious principles is sometimes good. Probably for most Masons, especially those who come into it just for the connections or whatever, that's the extent of the Craft for them. However, I've come across a couple blurbs from Manly P. Hall's The Lost Key of Freemasonry which may illuminate their involvement in certain events, even if minor.
The true brother of the Craft, while constantly striving to improve himself, mentally, physically, and spiritually through the days of his life, never makes his own desires the goal for his works. He has a duty and that duty is to fit into the plans of another. He must be ready at any hour of the day or night to drop his own ideals at the call of the Builder. The work must be done and he has dedicated his life to the service of those who know the bonds of neither time nor space. He must be ready at any moment's notice and his life should be turned into preparing himself for that call which may come when he least expects it. The Master Mason knows that those most useful to the Plan are those who have gained the most from the practical experiences of life. It is not what goes on within the tiled lodge which is the basis of his greatness, but rather the way in which he meets the problems of daily life. The true Masonic student is known by his brotherly actions and common sense.

Every Mason knows that a broken vow brings with it a terrible penalty. Let him also realize that failure to live mentally, spiritually, and morally up to one's highest ideals constitutes the greatest of all broken oaths. When a Mason swears he will devote his life to the building of his Father's house and then defiles his living temple through the perversion of mental power, emotional force, active energy, he is breaking a vow which imposes not hours but ages of misery.
It goes on:
All true Masons know that their work is not secret, but they realize that it must remain unknown to all who do not live the true Masonic life. Yet if the so-called secrets of Freemasonry were shouted from the housetops, the Fraternity would be absolutely safe; for certain spiritual qualities are necessary before the real Masonic secrets can be understood by the brethren themselves.
Clearly, these blurbs are highly idealistic but when you have Masons denying their connections to Zionism (or claiming that having such connections is antisemitic!) even though their hand is deeply in it and publically so i.e. Harry Truman; Israel's Supreme Court etc. the above quotes are only validated. Things are rarely secret but us "profane" won't ever understand the greater good and blah blah. I've already pointed out their ideal of serving in the army of Horus. These other events/calls to duty are stepping stones towards that goal just like the Fundamentalist Christians who actively work towards making the Rapture happen.

Horus in Freemasonry (Brief)

A few blurbs take from Freemasonry of the Ancient Egyptians as now commonly found in the The Lost Keys of Freemasonry by Manly P. Hall. The page numbers correspond to that newer compilation.
Isis, by magic--for the initiated priests were all magicians--resurrected the dead god and through union with him brought forth an order or priests under the collective title of Horus, the hawk, the all-seeing bird. These were the Herj Seshta or the companions of Horus, and the chief of these, called by Lewis Spence "the Chief of the Mysteries par excellence," appears to have worn the dog-headed mask of Anubis. Anubis was the son of Osiris by Nephthys, the material world, therefore represents the divine man or the mortal being who rose to enlightenment. (pg 151)
Just an aside for those new to the blog, Anubis (Anush or Enos) was actually the son of Set (Seth, Shith etc.) according to traditions in Islam and Christianity and not the bastard child of Osiris from an adulterous liaison as occultists maintain. They have to do so in order for their interpretations to be valid, notably the assertion that Seth was the epitome of evil.


Freemasonry as an institution is Isis, the mother of Mysteries, from whose dark womb the Initiates are born the mystery of the second or philosophic birth. Thus all adepts, by virtue of their participation in the rites, are figuratively, at least, the Sons of Isis. a Isis in the widow, seeking to restore her lord, and to avenge his cruel murder, it follows that all Master Masons or Master Builders, are widow's sons. They are the offspring of the institution widowed by the loss of the living Word, and theirs is the eternal quest--they discover by becoming.

In Egyptian rites Horus is the savior-avenger, son of Isis, conceived by magic (the ritual) after the brutal murder of Osiris. Hence he is the posthumous redeemer. Freemasons are Hori, they are the eye of Osiris, whose body, therefore, is made up of eyes. Each Initiate is a Horus, each is a hawk of the sun, and for one reason is each raised and that is that he may join in the army which is to avenge the destruction of wisdom, and restore the reign of the all-seeing lord. Each one is dedicated to the over-throwing of the reign of Typhon*. The great battle, in which the sons of the hawk rout the hosts of darkness, is the mysterious Armageddon of Revelation, the Kurukshetra of the Mahabharata, and the Ragnarok of the Eddas. In this battle the hosts of the Adversary shall be routed forever.

The day must ultimately come when the Hori, by virtue of their royal purpose, accomplish the consummation of the Great Work.

Out of the Hidden House, guarded by the silent god, must some day issue the glorious and illumined Horus, the very incarnation of his own father, the personification of the lord of Abydos, the avenger of all evil and the just god in whom there is no death. (pgs 153-5)
* The reign of Typhon is a reference to fighting the supposed Evil One (Masons rarely refer to Typhon as Set or Seth and this is because Seth is the "Anointed One" so they have to use their own namesake to better fit the teachings that he is Satan). Typhon is allegedly the master of the material world, a master of all the things we hate about it: greed, selfishness, oppression, ignorance and more. Maybe someone should let Kayne West in on that...

Reblogging: Masonic Propoganda on PBS in Arthur


Propaganda in Children's TV: Arthur - 'FurMasons' Created and Control the 'Sock Market' to Steal Peoples 'Socks' so that Humans Must Work Endlessly To Buy More

"Si, I'm stealing your socks. But it's for a good cause."

"The Furmasons were dedicated to finding new ways of helping people."

"We take their socks, they buy more, it's good for the economy"

For more information: The New York Stock Exchange and Masonic Astrology

Osiris was Nimrod, Set was a Prophet -- Christian Version

PREFACE

I've already blogged enough on Set being the heavily corrupted version of the prophet Seth (as) as described in Islam, and that all characters involved in that particular Egyptian myth cycle with all its contradictions were based on actual human beings. The more I read esoteric writings, the stronger I have of this belief.

No matter how one interprets Isis and Osiris, or even groups such as the Freemasons and their rituals, it always comes back to only a select group of people are entitled to the divine knowledge of the universe and thus happiness, contentment and bliss in the next life before supposed reincarnation. Those select people are almost always the rich or otherwise affluent, people who have the time and ability to travel all over and have access to things most people cannot get and in modern days. They are also heavily comprised of white people looking for something New Agey or exotic in their quest for spiritual meaning--something that can't be adequately done by those who are truly imprisoned by the world and its materialism because they have to worry about survival or what have you.

This whole idea of special elites with the truth being hard to find contradicts the teachings of both Muhammad (saaws) and Jesus (as), and most likely other prophets as well who emphasize that it's those whom society despises and who do their best to be good people who will enter the gates of Heaven. Islam specifically states that the truth that is important for humans to know is simple and thus meant for everyone.

Another reality of this esoteric tradition that demonizes Seth is that up until modern times, such truth was given only to men. Whether occultists or priests and later Templars and Freemasons. The scattered female mystic or saint here and there was an exception.

In this world of Isis and Osiris-centric mysticism, Kabbalah often has a big role. Islam via the Qur'an explains where Kabbalah came from and why it is false. Whenever magick books were introduced to a people, such as with the Etruscans, it's done so not through a prophet of God whom esotericists also revere, generally, but through a supernatural being who often just disappears. Very strange for something that's supposed to be extremely important. There is always this underlying belief that Allah/Jehovah (Ya Huwa) is just an evil corrupter out to confuse mankind by saying things like those creatures are devils trying to lead humans astray, but God has given more beautiful teachings and has helped people--especially the poor and downtrodden--more than Isis and Osiris ever claimed to or could do!

Then there is the issue of reincarnation. For all the alleged reincarnated people, none of them claimed themselves to have been the reincarnated individual(s). It was always deemed so by someone else, especially after their death, and this even includes the story of Nimrod! To make it worse there are often contradictions. People can't decided who was really who. One person will assert it was definitely this way and another will say something very different. The psychological factors behind asserting reincarnation seem obvious just like when human beings are worshiped as gods by their followers. Nowadays there are documentaries like Unmistaken Child that supposedly show or prove reincarnation but throughout the whole thing it's obvious that the child, a mere toddler, was being coached. Why wouldn't a child be interested in sparkly beads? Furthermore, the monk looking for him seemed to be a very insecure person who couldn't cope with his master's death.

Another argument is made that because certain things have survived and been popular in Western culture especially, that shows that they acknowledge certain truths that people subconsciously pick up on. Does it really? In Islam and probably in Judaism and Christianity as well, it is taught that the prophets and their teachings are often rejected. Noah (as) is one of the best examples of this. He traveled all around the world and lived for a long time, but was mostly mocked, at least in the exoteric tradition. That theme is repeated over and over. Even in stories that would have great significance with esotericists, like the story of the Boy and the King. After all, it's a lot nicer to believe that we can become gods and will just keep reincarnating and making our own lives hell than it is to believe in a Judgment Day where it will be like a nightmare (who wants to be punished, or believe in a severe punishment that cannot be perceived with the senses just because a "prophet" allegedly speaking for God said so?)

One final point before the article is that for all the eschewing of the material that is said to lead men astray, there certainly is a heavy focus on it. Both Jesus (as) and Muhammad (saaws) led very simple lives. The first mosque was leaky and small. Many who learned the secrets changed that by getting fancy not only with architecture but in the arts as well. How can one be free of the dunya (world) if they are so focused on making it appeal to your basic senses? I once heard a saying that the introduction of food coloring to the Muslim world was a sign of its spiritual downfall. I'm just arguing the point of esoteric belief that if you must distance yourself from the world then you shouldn't be making it more beautiful with things. Yes, creation is beautiful but using the religio-spiritual logic, it's there to show off the work of the Creator and to make your task of distancing yourself from it for something better not so easy. If people are trying to lure you into it, people who worship or revere Isis and Osiris in whatever cultural form, then it needs to be reevaluated because it is for that reason they claim Seth (as) was evil--they make him a power-hungry materialist even though it was quite clear who was in power and who was exploiting and who had the ego and who wants the world to look beautiful with material things.

OSIRIS AS NIMROD

The article has been taken without permission from here. Although the article is from an exclusively Christian perspective, it makes a lot of the same points I have previously.

In Gen. 10:11, we read that Nimrod built the city of Nineveh. This little item of Bible history enables us to identify Nimrod with the king Ninus of classical writings. The name Nineveh literally means "The habitation of Ninus." The historian Apollodorus expressly states that "Ninus is Nimrod." (Apollodori, Fragm. 68 in Willer, Vol. i, p. 440) In the ancient records of Justin and Diodorus Siculus, Ninus is credited with similar kingly powers as are attributed to Nimrod by the Scriptures. (Justin, Hist. Rom. Script., Vol. ii, p. 615; Diodorus, Bibliotheca, lib. ii, p. 63) Ninus was the son, as well as the husband, of Semiramis. According to Eusebius these two reigned as king and queen in the time of Abraham; but the great chronologist Clinton, and the celebrated Excavator and Linguist Layard, both assign an earlier date to the reign of Ninus and Semiramis.

While in "Babylon the Great," the principal subjects of devotion are the Madonna and her child (said to be the virgin Mary and Jesus), so in typical Babylon the popular worship was extended to a goddess mother and her son, who had their origin in Semiramis and her son Ninus (the Hebrew word for "son" is nin). Remembering the religious influence which proceeded from Babylon, we have here the explanation of the universal adoration of the "Mother and Son." In Greece they were worshipped as Ceres the great mother, with the babe at her breast; or as Irene the goddess of Peace, with the boy Plutus in her arms. In Pagan Rome as Fortuna and Jupiter-puer, or Jupiter the boy. In Asia as Cybele and Deaius. In India as Isi and Iswara; and even in Thibet, China, and Japan, missionaries were astonished to find the exact counterpart of the Madonna and her child as devoutly reverenced as in Papal Rome itself. In Egypt the Mother was worshipped as Isis, and the Son as Osiris, though more often as Horus. Regardling Osiris, Bunsen shows that he was represented as at once the Son and Husband of his mother, and actually bore as one of his titles of honor the name "Husband of the Mother." (Bunsen, Vol. i, pp. 438, 439) This serves to identify Osiris with Ninus who married his own mother.

The account of the death of Osiris as given in the Egyptian Book of the Dead (a copy of which is frequently found entombed with mummies), is as follows: While Osiris was absent on a certain occasion, his enemy, who was named Sem, entered into a conspiracy with 72 of the leading men of Egypt to put Osiris to death. The plot succeeded. Osiris was slain, and his body was torn into 14 pieces which were scattered throughout the country. Isis greatly lamented her husband's death, and searched about for the pieces of his body. Wherever she discovered a piece, she buried it and erected a shrine over it.

Wilkinson shows (Vol. v, p. 17) that Sem was one of the names of the primitive Egyptian Hercules, who was said to have, by the power of God, fought and overcome the giants who had rebelled against heaven. In plain language, this mythical tale simply means that the Hercules Sem or Shem (see Luke 3:36), the great opponent of idolatry, was enabled by the power or spirit of God to so convince the tribunal of 72 supreme Judges of Egypt of the enormity of the offence of Osiris or Nimrod, as to persuade them to condemn and put that "mighty one" or giant to death and to send parts of his dismembered body to the various cities as a solemn declaration in their name, that "whosoever follows the example of Nimrod (Osiris) shall meet with a like penalty." In following this course Shem was acting according to a recognized judicial custom, instances of which are found in the Scriptures.--See Judges 19:29; and 1 Samuel 11:7.

Afterwords, the upholders of the idolatrous religious system of Egypt stigmatized the leader of the "conspiracy" as Typho, or the "Evil One." One of the most noted names by which Typho was called, was Seth. (Epiphanius, Adv. Hoeres, lib. iii) The names Seth and Shem are synonymous, both alike signifying "The appointed one."

This persuasive power of Shem, by which he caused the great Nimrod to be condemned to death, was symbolized by the tusks of a wild boar. We read in Mythology that the god Adonis perished by the tusks of a wild boar. Now Adonis is identical with the god Tammuz, and Tammuz with Osiris. (Kitto's Illustrated Commentary, Vol. iv, p. 141; Wilkinson's Egyptians, Vol. v, p. 3) In Egypt, the pig was the symbol of evil; and as the horn is the ancient symbol of power, being so recognized in Scriptures, the tusks in the mouth of the male pig signifies that it was by the "power of his mouth" that the evil one, Seth, caused Adonis (Osiris) to be put to death. In memory of this deed, the peoples of many countries have caused countless boars to lose their heads in sacrifice to the outraged god. This explains why the boar's or pig's head is even at this day a recognized dish at the Christmas dinner in Britain, though the reason for the custom has long been forgotten. In India, a demon with a "boar's face" is said to have gained such power through his devotions, that he oppressed the "devotees" of worshippers of the gods, who had to hide themselves. (Moor's Pantheon, p. 19) Even in Japan there seems to be a similar myth.

Thus the righteous Shem, blessed by Jehovah, has been stigmatized and misrepresented in all the heathen religions of the world; while the idolatrous Nimrod who led men away from the true God, and who was justly condemned to death because of his evil deeds, has been exalted to the status of a god himself. This turning of things upside down, however, shall not stand, for Jehovah shall now soon vindicate himself on behalf of his righteous servants.

We are reminded here of what the Egyptian historian Manetho wrote regarding the builders of the Great Pyramid: "There came up from the East, in a strange manner, men of an ignoble race, who had the confidence to invade our country, and easily subdued it by their power without a battle. All this invading nation was styled Hyksos--that is, Shepherd Kings." He adds that this people afterwards departed for Judea and built there a city named Jerusalem. The head of these Shepherd Kings has been recognized as the patriarch Shem, and Shem as Melchizedec, king of Salem. (Heb. 7:1,2) It is certainly quite in keeping with the exalted methods of this "king of peace" that he subdued the Egyptians without a battle, persuading them only by the spirit or power of God to close their idolatrous temples and do his bidding. (See Great Pyramid Passages, Vol. i, pars. 4-6.) It shows how wonderful was the godly influence which this venerable king and "priest of the most high God" exercised in the early stages of the "present evil world." He was indeed a fit type of Christ in the Millennial Age, whom God sware would be a "Priest forever after the order of Melchizedec." (Psa. 110:4) In face of such great power for righteousness, one can see how the iniquity instigated by Satan, the "god of this world," would require to be very warily conducted. Hence the term "mystery" or "secret," of iniquity.

When the mighty Nimrod was violently put to death in the midst of his career, great indeed must have been the lamentation among his followers. Semiramis would, naturally, experience the greatest grief and loss. She had shared with him his kingdom and glory, but now all this honor had suddenly come to an end. Semiramis, however, was a woman of unbounded ambition, and she by no means intended to quietly step aside without a bid for fame on her own account. That she succeeded in making a name for herself is fully attested by the pages of ancient history. A most daring suggestion was advanced which she seized upon and resolutely carried out--namely, that she should claim that her dead son was none other than the promised "seed of the woman" who had been destined to bruise the serpent's head, and who, in doing so, was to have his own heel bruised! Formerly her son had been honored as the mighty hunter and benefactor of the world; but though he was now dead she would declare that he had risen and had been deified, and thus have him worshiped as a god!

Source of reference:

Mythology and the Bible
by Morton Edgar

Blatant Horus Reference from Kanye West


Not surprising since Horus represents power, elitism and all that in addition to the sun god imagery and Osiris reincarnate angles that are emphasized the most (when Horus is not just an abstract symbol for providence or the pineal gland or what have you).

The video and symbolism has already been analyzed in two posts elsewhere:

* Kanye West’s “Power”: The Occult Meaning of its Symbols

* KANYE WEST’s POWER: Symbols of the End of America, the Rebuilding of Solomon’s Temple & the Rising Phoenix – The Blazing Star Sun God!



Edit : I've decided to remove the tangent I had below as further reading has proved some of it to be inaccurate.

Dajjal-Like Names (Heiti) of Odin

I often feel bad when I write about Odin because he's a deity that is actively worshiped by a number of good-mannered people (although in America many support the wars or the soldiers fighting the wars and have charities for them thinking they're doing their god's work but anyway...). At the same time, however, there are things about Odin that cannot be ignored.

I want to reiterate this one point I have: For all we know, Arabs of Muhammad's (saaws) time did not have interaction with Germans or Scandinavians and so the concept of Dajjal is unique and has no cultural precursor. Even if pre-Islamic Arabs did have connections to people who venerate Odin, it would have been minor contact i.e. trade, and it makes no sense for an Antichrist figure to come from some foreign deity insignificant to Arabs rather than something that had existed among the Arabs or Judeo-Christian tradition.

For those who don't know what the Dajjal is, in sum, he is the Antichrist at the End of Times who is one-eyed, will be a massive deceiver (the best...dajjal means deceiver) who manipulates with magick, illusions and mind control, who has supernatural powers, a love of violence and warfare, an anger management problem and has a massive following of women (I think Christian tradition adds he's a seducer of women). He will start out by claiming to be human and eventually from there will proclaim his godhead and demand worship. He will be able to wander into every home and part of his deception is that he will have jinn (spirits, creatures, whatever you want to call them) who will shapeshift into dead relatives (like ghosts) in order to bring people to his side (at that time there will be much chaos and desperation). There will be a great war and eventually he will be killed by the true messiah (Isa aka Jesus) with a spear. Yes, a spear.

For those who know Odin, much of those qualities match his character. The one-eye situation with Dajjal is a little different than Odin's but that can be explained away by one or the other tradition having an error concerning the nature of his blindness because the similarities are otherwise too profound. To emphasize my above points, here are some of Odin's 102 (some say 200) names:

Atriðr, Atriði - Attacking rider, 'At-Rider'

Auðun - Friend of wealth

Báleygr - Flaming Eye

Bileygr - Flashing Eye or Wavering Eye

Blindi, Blindr - Blind

Böðgæðir - Battle Enhancer

Bölverkr - Evil Worker or Evil Deed

Draugadróttinn - Lord of the undead

Eylúðr - The ever booming

Fjölnir - Concealer

Gangráðr - Contrary advisor

Gapþrosnir - The one in gaping frenzy

Geirlöðnir - Spear inviter

Geirtýr - Gore/Spear God

Ginnarr - Deceiver

Gizurr - Riddler

Gestumblindi - Blind Guest

Glapsviðr - Swift in Deceit, Maddener, Wise in magical spells

Göllnir, Gollorr, Göllungr - Yeller

Grímnir - Hooded, Masked One

Grímr - Mask

Herteitr - War-merry

Hildolfr - Battle Wolf

Hjaldrgegnir - Engager of Battle

Hjaldrgoð - God of battle

Hjarrandi - Screamer

Hnikarr - Overthrower, Thruster

Hoárr - One Eyed

Hrjóðr, Hveðrungr - Roarer

Njótr - User, enjoyer

Ófnir - Inciter

Óski - God of Wishes

(Here's a contradiction) Saðr - Truthful

Sigtýr - War god

Skilfingr - Trembler

Skollvaldr - Ruler of treachery

Þrasarr - Quarreler

Viðrímnir - Contrary screamer

Viðurr - Killer

Yggr - Terrible One

Why would someone worship a deceiver? How do you know he is not deceiving you when he is openly admitted to having such a nature...and not only that but openly is addressed as being evil? I don't understand that, especially when he's a god of the elite and historically, a god feared by soldiers for a variety of reasons (he could give madness in battle, or cause an enemy to win etc.) and so was not very "down to earth" with men except in his wanderings.

Army Praises ODIN

The Dajjal is going to cause mass starvation and storms and things and then wait for people to come to him in order to provide relief. Then engage in massive warfare. Collecting the souls of the dead could also be metaphorical and not literal i.e. when you die you will be judged with whom you followed and died for. If you died for a deceiver that is your own price.

I want to conclude that I'm only emphasizing this because of the striking similarities between Odin and traditions concerning the Dajjal. If Odin had none I wouldn't even mention anything relating to this. I also don't put these kind of disclaimers when I talk about Horus because he is embraced by occultists and the like who are actively trying to further the Aeon of Horus and other nefarious things.

The Wedjat and Horus of the New Order


The Wedjat Eye
by Wim van den Dungen

A pretty simple and straightforward article on the importance of the wedjat (Eye of Horus) in Egyptian mythology.

Here are some quotes from it:
The Osiris drama unfolded in mythical (enneadic) times, but on a personalized level (as a family conflict unfolding in a mythical "perfect" kingdom) and in the fourth generation of gods. While the Atum-cycle refers to cosmogonical and royal themes (the Eye of Re), Osirian beliefs are anthropological (the emotional, funerary family drama) and vitalistic (the yearly revival of nature). Moreover, they are common beliefs (the Wadjat Eye of Horus was a very popular amulet).

Osiris was the victim, the helpless one, but also the dead land to be revived. He suffered, like the little man, with all mortality, had been murdered and sojourned unhappily in the Netherworld. His unfortunate death had been followed by a deadly afterlife. He called out to be revitalized by his son, Pharaoh Horus so as to resurrect as a soul and become the spirit of life itself. In this way, he would be the ultimate power of revival and fertility, the eternal cycle of birth (in this world : the fertility of the land) and rebirth (in the Netherworld : no "second death" but spiritualization).

His son Horus was his heir and avenger. As avenger, he had to confront Seth and subdue him. Then, as "beloved son" he could take care of the "Ka" of Osiris (who was depleted). Revitalized, Osiris achieved beatification and became the spirit of life. As heir, Pharaoh Horus would rule. He had Seth beneath his sandals, serving the new order.

The Wedjat Eye-cycle represents the process whereby Horus is injured by Seth (the empty eye), fights the foe, is healed (the Eye of Thoth), crowned (by the deities) & empowered by this "green" Eye of Wellness, which he gives to Osiris. Her great magic is able to resuscitate the dead god who is dying his "second death" in the realm of the dead. For Osiris is sleeping his "great sleep" in the "desert place" in which he came. By descending into the Netherworld and giving his Wedjat Eye to Osiris, Horus revives his father, i.e. pulled him out of this state of "second death". Reborn as a soul in the realm of the dead, Osiris is now able to move and transform himself into the spirit of eternal rejuvenation. The rescue of Osiris by Horus the Redeemer, is the rising of the flood waters and the advent of the New Year.
And:
Osiris resurrects in a special spiritual "soul-body", released after "the opening of the mouth" by Horus. Without Horus, the perfect son, Osiris would have continued to die (being a god, total annihilation could not happen). Without Osiris, no Pharaoh could guarantee the fertility of his land. This model was the mythical background of Pharaonism : the living Pharaoh was Horus, the son and heir of Osiris, the dead king, his father, resurrected as a soul and spirit of eternal life.
And:
Because of the care of his son (who vanquished the enemies of his father), the latter could become one with the soul of the original Osiris, and be "an Osiris" in the Netherworld. The living did not worship their ancestors, but hoped that some of their Ka-power could be transmitted for their own needs. By resuscitating Osiris in the Netherworld, Horus had guaranteed the fertility & growth in the re-established order on Earth for ever and ever.

A Peek at Odin as Hermes

To better understand Hermes in Freemasonry when their primary god is represented as Horus with his one eye, I thought it would be interesting to briefly look to another one-eyed god (namely Odin of the Germanic peoples) to illustrate how he was viewed by the non-Germanic ancients who may have been involved in mystery cults.

Wikipedia states:
Less is known about the role of Odin as receiver of the dead among the more southern Germanic tribes. The Roman historian Tacitus probably refers to Odin when he talks of Mercury. The reason is that, like Mercury, Odin was regarded as Psychopompos, "the leader of souls".

Julius Caesar states in De Bello Gallico 6.17.1 that for the Gauls the worship of Mercury was the most important, or perhaps most widespread, out of all the gods.

Paulus Diaconus (or Paul the Deacon), writing in the late 8th century, tells that Odin (Guodan) was the chief god of the Langobards and, like earlier southern sources, he identifies Odin with Mercury (History of the Langobards, I:9). Because of this identification, Paulus adds that the god Guodan, "although held to exist [by Germanic peoples], it was not around this time, but long ago, and not in Germania, but in Greece" where the god originated. Wace also identifies Wotan with Mercury. Viktor Rydberg, in his work on Teutonic Mythology, draws a number of other parallels between Odin and Mercury, such as the fact that they were both responsible for bringing poetry to mortals.

Similarly, Ammianus Marcellinus most likely references Odin and Thor in his history of the later Roman Empire as Mercury and Mars, respectively, though a direct association is not made. This, however, underlines a particular problem concerning ancient Greek and Roman sources. Historians from both cultures, during all periods, believed the deities of foreign cultures to merely be their own gods under different names (see interpretatio graeca). Such an example may be found in Herodotus' association of an Egyptian Ram-headed god (most probably Amun) with Zeus. Later, Medieval historians followed the older tradition and likewise made such associations. However, there is no historical evidence to suggest that these are valid connections and as such they should not be taken as historical fact.
Odin as a leader of the souls is reflected in the tale of the Pied Piper (scroll to page 33). And here is a lengthy article on the connection between Odin and Hermes (Mercurius aka "Mercury").
Odin experienced two shamanic initiations. In one, he sacrificed one of his own eyes for the privilege of drinking from the Well guarded by the wise giant Mimir, in order to obtain awareness of the past--the name "Mimir" is related our word "memory"--and to acquire non- linear knowledge and intuition. His physical eyesight was partially sacrificed for another type of Sight or heightened awareness. Norse mythology has another Well, belonging to Urd, the first of the three Norse Fates, who rules the past. As Ralph Metzner states in his book The Well of Remembrance (Boston, MA: Shambala, 1994, p. 218), some critics believe that the two wells may have been versions of the same story. "Urd" means fate or destiny in old Norse, and Odin acquires knowledge of his essence, of the patterns that fate and destiny weave for gods and mortals alike, by drinking from this well.

The second shamanic initiation and sacrifice occurred when Odin hung himself on the world axle-tree Yggdrasil that connects the nine worlds, in order to attain knowledge of the Runes. Human sacrifices to the Norse gods were often hung on trees. During this initiation, Odin makes a sacrificial offering of himself to himself, while in shamanic folklore, a tree often symbolizes a ladder to another world or state of consciousness. Used as the alphabet in some Norse countries until roughly as late as 1000 CE, the Runes were more than just letters. They were an oracle, and each symbol had a divinatory meaning. (For more on the Runes, a good place to start is Edred Thorsson's Runelore: A Handbook of Esoteric Runology, New York: Weiser, 1987).

Classical Mercury and Norse Odin both rule writing--but the Runes were invested with the power and numinosity of Logos in the ancient Northern European world, and they were won with suffering. In both of these initiation tales, knowledge carries a price. As C.G. Jung wrote, "There is no coming to consciousness without pain." Not the coming to this sort of non- ordinary consciousness. Here, Odin is a far cry from Hellenistic Mercury, who was more a bearer of other's messages than a seeker after inner truth.

The search for wisdom took Odin down other difficult roads: the god was a psychopomp, a guide of souls. Here he shows a much closer parallel to classical Mercury, who escorted Persephone back from the underworld. Half of those who perish honorably in battle belong to Odin and travel to his hall after their death, while his ravens are traditionally birds of the dead. Yet Odin was also a necromancer, one who attains magical knowledge by conversing with the departed. When Odin's son Baldur begins having nightmares about his own demise, Odin descends to the underworld to learn Baldur's fate, where he raises the ghost of a sorceress to question her. He travels there on his eight-legged horse, which some scholars have seen as a symbolic coffin carried by four people. Odin also frequents hangings in order to communicate with the spirit of the victim on its way to the next world.

Death is, among other things, a transition from one state of awareness to another. Besides literal death of the physical body, we can also see these attributes of Odin as related to the self-knowledge that may spring from a psychological death: the death of a defense or a denial, or the ending of a certain phase or stage of your life. Such potentially transformative self-knowledge is seldom won without facing the underworld. Here, Odin is involved with profound psychological work, what we may call "soul retrieval."

Both Odin and the fast-talking and light-fingered Mercury show elements of the Trickster archetype. The more famous Norse trickster, the fiery demigod Loki, is Odin's foster brother, perhaps a kind of not fully acknowledged sibling--the sort of secretive brotherly rapport that might exist between two tricksters. Odin and Loki are both wily characters, shapeshifters; while among Odin's many names are the Changing One, the Twofold One and the Hidden One. Not only is Odin's appearance unpredictable as he wanders the mortal realm in various disguises, but his gifts are unreliable. Odin's berserker frenzy may abandon a warrior in the midst of battle. Berserkers themselves were thought to be shapeshifters, a kind of were-bear--the name means "bear-shirt"--while other followers of Odin were hunters said to assume the form of a wolf. Besides ravens, wolves are Odin's other animal ally--even his non-human form is elusive.
The symbol of Odin was the Valknot, which represented the 9 worlds of the universe. Of course any three points not in a straight line can form a triangle, but this shows the power and symbolism inherent in triangles.

For more of the connections between Odin, Horus and ultimately Dajjal, check out these posts, and these posts for Hermes.

Dajjal Eye/Eye of Horus in Burton's "James and the Giant Peach"


This came as a shock to me because there was no warning in the film that the eye was going to pop up. It seemed to be implying his alien origin, but I'm only guessing. I'm likewise guessing that this was not in the original book by Roald Dahl. It's evocative of the Dajjal eye (Eye of Horus) especially with it being the left eye, and is of a similar nature as flashed in other, later, films and cartoons also for no explained reason. This is the scene during which it briefly appears:


The grasshopper also has a black eye and a white eye.


This is not the first time Tim Burton has used one-eyed imagery:

An Example of Little Known History


There is a lot that has happened in the past that is overlooked or goes unmentioned or is intentionally hidden or is distorted from imitation and parroting. While the example I'm providing below is not really conspiracy theory or controversial, it, at least, is something that is not discussed much and is somewhat connected to this blog (involving Isis mysteries and a sun god).

Let's take the Roman figure Lucius Cornelius Sulla Felix.

In one of my books, Witchcraft: the Old Religion, there is a brief mention that Sulla was responsible for bringing the Cult of Isis to Rome. This is something that I had not read in the three biographies of Sulla I possess, and not even present in a fiction series about his life. With some research, I found the specific details (I lost the source info, I apologize):
About 80 B.C. Sulla founded an Isiac college in Rome, but their altars within the city were overthrown by the consuls no less than four times in the decade from 58 to 48 B.e., and the worship of Isis at Rome continued to be limited or suppressed by a succession of enactments which were enforced until the reign of Caligula. The Isiac mysteries were a representation of the chief events in the myth of Isis and Osiris - the murder of Osiris, the lamentations of Isis and her wanderings, followed by the triumph of Horus over Seth and the resurrection of the slain god - accompanied by music and an exposition of the inner meaning of the spectacle. These were traditional in ancient Egypt, and in their later development were no doubt affected by the Eleusinian mysteries of Demeter.
Sulla was also a major worshiper of Apollo, something he had inherited from his gens as it was common for a patrician family especially to focus their worship on a specific deity.
The Ludi Apollinares (Games of Apollo) were games which were first organized in 212 BC, when C. Sulla was P. Praetor.
And from Plutarch:
Sulla had a little golden image of Apollo from Delphi which he always carried in his bosom when he was in battle [Battle of Colline Gate], but that on this occasion he took it out and kissed it affectionately, saying: "O Pythian Apollo, will you, who have brought Cornelius Sulla Felix greatness and glory in so many battles and who have guided him to the gates of his native city, now cast him down here to perish most shamefully in the midst of his fellow citizens?"
For more information on the lesser known aspects of Sulla check out:
"The Clemency of Sulla" by Melissa Barden Dowling in
Historia: Zeitschrift für Alte Geschichte, Vol. 49, No. 3 (3rd Qtr., 2000), pp. 303-340. Published by: Franz Steiner Verlag

Why the Great Pyramid?

Plato was initiated into the 'Greater Mysteries' at the age of 49. The initiation took place in one of the subterranean halls of the Great Pyramid in Egypt. The Isiac table* formed the altar, before which the Divine Plato stood and received that which was always his, but which the ceremony of the Mysteries enkindled and brought from its dormant state. With this ascent, after three days in the Great Hall, he was received by the Hierophant of the Pyramid (the Hierophant was seen only by those who had passed the three days, the three degrees, the three dimensions) and given verbally the Highest Esoteric Teachings, each accompanied with Its appropriate Symbol. After a further three months' sojourn in the halls of the Pyramid, the Initiate Plato was sent out into the world to do the work of the Great Order, as Pythagoras and Orpheus had been before him.
- Thomas Taylor (as quoted in The Secret Teachings of All Ages)
He's also responsible for: The Eleusian and Bacchic Mysteries: A Dissertation.

The Pyramid Mysteries
from: The Secret Teachings of All Ages (1928)

The word pyramid is popularly supposed to be derived from πῦρ, fire, thus signifying that it is the symbolic representation of the One Divine Flame, the life of every creature. John Taylor believes the word pyramid to mean a "measure of wheat, " while C. Piazzi Smyth favors the Coptic meaning, "a division into ten." The initiates of old accepted the pyramid form as the ideal symbol of both the secret doctrine and those institutions established for its dissemination. Both pyramids and mounds are antitypes of the Holy Mountain, or High Place of God, which was believed to stand in the "midst" of the earth. John P. Lundy relates the Great Pyramid to the fabled Olympus, further assuming that its subterranean passages correspond to the tortuous byways of Hades.

The square base of the Pyramid is a constant reminder that the House of Wisdom is firmly founded upon Nature and her immutable laws. "The Gnostics," writes Albert Pike, "claimed that the whole edifice of their science rested on a square whose angles were: Σιγη, Silence; Βυθος, Profundity; Νους, Intelligence; and Αληθεια Truth." (See Morals and Dogma.) The sides of the Great Pyramid face the four cardinal angles, the latter signifying according to Eliphas Levi the extremities of heat and cold (south and north) and the extremities of light and darkness (east and west). The base of the Pyramid further represents the four material elements or substances from the combinations of which the quaternary body of man is formed. From each side of the square there rises a triangle, typifying the threefold divine being enthroned within every quaternary material nature. If each base line be considered a square from which ascends a threefold spiritual power, then the sum of the lines of the four faces (12) and the four hypothetical squares (16) constituting the base is 28, the sacred number of the lower world. If this be added to the three septenaries composing the sun (21), it equals 49, the square of 7 and the number of the universe.

The twelve signs of the zodiac, like the Governors' of the lower worlds, are symbolized by the twelve lines of the four triangles--the faces of the Pyramid. In the midst of each face is one of the beasts of Ezekiel, and the structure as a whole becomes the Cherubim. The three main chambers of the Pyramid are related to the heart, the brain, and the generative system--the spiritual centers of the human constitution. The triangular form of the Pyramid also is similar to the posture assumed by the body during the ancient meditative exercises. The Mysteries taught that the divine energies from the gods descended upon the top of the Pyramid, which was likened to an inverted tree with its branches below and its roots at the apex. From this inverted tree the divine wisdom is disseminated by streaming down the diverging sides and radiating throughout the world.

The size of the capstone of the Great Pyramid cannot be accurately determined, for, while most investigators have assumed that it was once in place, no vestige of it now remains. There is a curious tendency among the builders of great religious edifices to leave their creations unfinished, thereby signifying that God alone is complete. The capstone--if it existed--was itself a miniature pyramid, the apex of which again would be capped by a smaller block of similar shape, and so on ad infinitum. The capstone therefore is the epitome of the entire structure. Thus, the Pyramid may be likened to the universe and the capstone to man. Following the chain of analogy, the mind is the capstone of man, the spirit the capstone of the mind, and God--the epitome of the whole--the capstone of the spirit. As a rough and unfinished block, man is taken from the quarry and by the secret culture of the Mysteries gradually transformed into a trued and perfect pyramidal capstone. The temple is complete only when the initiate himself becomes the living apex through which the divine power is focused into the diverging structure below.

W. Marsham Adams calls the Great Pyramid "the House of the Hidden Places"; such indeed it was, for it represented the inner sanctuary of pre-Egyptian wisdom. By the Egyptians the Great Pyramid was associated with Hermes, the god of wisdom and letters and the Divine Illuminator worshiped through the planet Mercury. Relating Hermes to the Pyramid emphasizes anew the fact that it was in reality the supreme temple of the Invisible and Supreme Deity. The Great Pyramid was not a lighthouse, an observatory, or a tomb, but the first temple of the Mysteries, the first structure erected as a repository for those secret truths which are the certain foundation of all arts and sciences. It was the perfect emblem of the microcosm and the macrocosm and, according to the secret teachings, the tomb of Osiris, the black god of the Nile. Osiris represents a certain manifestation of solar energy, and therefore his house or tomb is emblematic of the universe within which he is entombed and upon the cross of which he is crucified.

Through the mystic passageways and chambers of the Great Pyramid passed the illumined of antiquity. They entered its portals as men; they came forth as gods. It was the place of the "second birth," the "womb of the Mysteries," and wisdom dwelt in it as God dwells in the hearts of men. Somewhere in the depths of its recesses there resided an unknown being who was called "The Initiator," or "The Illustrious One," robed in blue and gold and bearing in his hand the sevenfold key of Eternity. This was the lion-faced hierophant, the Holy One, the Master of Masters, who never left the House of Wisdom and whom no man ever saw save he who had passed through the gates of preparation and purification. It was in these chambers that Plato--he of the broad brow---came face to face with the wisdom of the ages personified in the Master of the Hidden House.

Who was the Master dwelling in the mighty Pyramid, the many rooms of which signified the worlds in space; the Master whom none might behold save those who had been "born again"? He alone fully knew the secret of the Pyramid, but he has departed the way of the wise and the house is empty. The hymns of praise no longer echo in muffled tones through the chambers; the neophyte no longer passes through the elements and wanders among the seven stars; the candidate no longer receives the "Word of Life" from the lips of the Eternal One. Nothing now remains that the eye of man can see but an empty shell--the outer symbol of an inner truth--and men call the House of God a tomb!

The technique of the Mysteries was unfolded by the Sage Illuminator, the Master of the Secret House. The power to know his guardian spirit was revealed to the new initiate; the method of disentangling his material body from. his divine vehicle was explained; and to consummate the magnum opus, there was revealed the Divine Name--the secret and unutterable designation of the Supreme Deity, by the very knowledge of which man and his God are made consciously one. With the giving of the Name, the new initiate became himself a pyramid, within the chambers of whose soul numberless other human beings might also receive spiritual enlightenment.

In the King's Chamber was enacted the drama of the "second death." Here the candidate, after being crucified upon the cross of the solstices and the equinoxes, was buried in the great coffer. There is a profound mystery to the atmosphere and temperature of the King's Chamber: it is of a peculiar deathlike cold which cuts to the marrow of the bone. This room was a doorway between the material world and the transcendental spheres of Nature. While his body lay in the coffer, the soul of the neophyte soared as a human-headed hawk through the celestial realms, there to discover first hand the eternity of Life, Light, and Truth, as well as the illusion of Death, Darkness, and Sin. Thus in one sense the Great Pyramid may be likened to a gate through which the ancient priests permitted a few to pass toward the attainment of individual completion. It is also to be noted incidentally that if the coffer in the King's Chamber be struck, the sound emitted has no counterpart in any known musical scale. This tonal value may have formed part of that combination of circumstances which rendered the King's Chamber an ideal setting for the conferment of the highest degree of the Mysteries.

The modern world knows little of these ancient rites. The scientist and the theologian alike gaze upon the sacred structure, wondering what fundamental urge inspired the herculean labor. If they would but think for a moment, they would realize that there is only one urge in the soul of man capable of supplying the required incentive--namely, the desire to know, to understand, and to exchange the narrowness of human mortality for the greater breadth and scope of divine enlightenment. So men say of the Great Pyramid that it is the most perfect building in the world, the source of weights and measures, the original Noah's Ark, the origin of languages, alphabets,. and scales of temperature and humidity. Few realize, however, that it is the gateway to the Eternal.

Though the modern world may know a million secrets, the ancient world knew one--and that one was greater than the million; for the million secrets breed death, disaster, sorrow, selfishness, lust, and avarice, but the one secret confers life, light, and truth. The time will come when the secret wisdom shall again be the dominating religious and philosophical urge of the world. The day is at hand when the doom of dogma shall be sounded. The great theological Tower of Babel, with its confusion of tongues, was built of bricks of mud and the mortar of slime. Out of the cold ashes of lifeless creeds, however, shall rise phœnixlike the ancient Mysteries. No other institution has so completely satisfied the religious aspirations of humanity, for since the destruction of the Mysteries there never has been a religious code to which Plato could have subscribed. The unfolding of man's spiritual nature is as much an exact science as astronomy, medicine or jurisprudence. To accomplish this end religions were primarily established; and out of religion have come science, philosophy, and logic as methods whereby this divine purpose might be realized.

The Dying God shall rise again! The secret room in the House of the Hidden Places shall be rediscovered. The Pyramid again shall stand as the ideal emblem of solidarity, inspiration, aspiration, resurrection, and regeneration. As the passing sands of time bury civilization upon civilization beneath their weight, the Pyramid shall remain as the Visible covenant between Eternal Wisdom and the world. The time may yet come when the chants of the illumined shall be heard once more in its ancient passageways and the Master of the Hidden House shall await in the Silent Place for the coming of that man who, casting aside the fallacies of dogma and tenet, seeks simply Truth and will be satisfied with neither substitute nor counterfeit.

*"The Isiac Tablet," writes Levi, "is a Key to the Ancient Book of Thoth, which has survived to some extent the lapse of centuries and is pictured to us in the still comparatively ancient set of Tarocchi Cards. To him the Book of Thoth was a résumé of the esoteric learning of the Egyptians, after the decadence of their civilization, this lore became crystallized in an hieroglyphic form as the Tarot; this Tarot having become partially or entirely forgotten or misunderstood, is pictured symbols fell into the hands of the sham diviners, and of the providers of the public amusement by games of Cards. The modern Tarot, or Tarocchi pack of cards consists of 78 cards of which 22 form a special group of trumps, of pictorial design: the remaining 56 are composed of four suits of 10 numerals and four court cards, King, Queen, Knight and Knave or Valet; the suits are Swords (Militaryism), Cups (Sacerdocy), Clubs or Wands (Agriculture), and Shekels or Coins (Commerce), answering respectively to our Spades, Hearts, Clubs and Diamonds. Our purpose is with the 22 trumps, these form the special characteristic of the pack and are the lineal descendants of the Hieroglyphics of the Tarot. These 22 correspond to the letters of the Hebrew and other sacred alphabets, which fall naturally into three classes of a Trio of Mothers, and Heptad of doubles, and a duodecad of simple letters. They are also considered as a triad of Heptads and one apart, a system of Initiation and an Uninitiate." - History of Magic

Of the Isiac Table, Alexandre Lenoir writes: "The Isiac Table, as a work of art, is not of great interest. It is but a composition, rather cold and insignificant, whose figures, summarily sketched and methodically placed near each other, give but little impression of life. But, if on the contrary, after examining it, we understand the purpose of the author, we become soon convinced that the Isiac Table is an image of the heavenly sphere divided in small parts to be used very likely for general teaching. According to that idea, we can conclude that the Isiac Table was originally the introduction to a collection followed by the Mysteries of Isis. It was engraved on copper in order to be used in the ceremonial of initiation."- The Isiac Tablet

Hermes Trismegistus (Hermes + Thoth) and His Vision

Hermes Trismegistus (Thrice Great) is a huge subject and would be impossible to cover in great detail in just one post. It even has connections to Islam outside of the realm of Sufism with al-Masudi citing the Sabian belief that Hermes Trismegistus had been prophet Idris (as) aka Enoch. However, let me begin with this. For those who wish to understand the Freemasons and others in the occult (as this is not exclusive to people interested in Hermeticism) it's important to understand Hermetic beliefs or concepts and their varying influences. One very simple introductory article taken from a Rosicrucian website is: Thrice Great Hermes. Concerning the Vision of Hermes that I will get into below, it states:
The Vision is the most famous of all Hermetic fragments, and contains an exposition of Hermetic cosmogony and the secret sciences of the Egyptians regarding the culture and unfoldment of the human soul In concluding his exposition of the Vision, Hermes quotes “The sleep of the body is the sober watchfulness of the Mind and the shutting of my eyes reveals the true Light. My silence is filled with budding life and hope, and is full of good. My words are the blossoms of fruit of the tree of my soul. For this is the faithful account of what I have received from my true Mind, that is Poimandres, the Great Dragon, the Lord of the Word, through whom I became inspired by God with Truth. Since that day my Mind has ever been with me and in my own soul it has given birth to the Word; the Word is reason, and Reason has redeemed me. For which cause, with all my soul and all my strength, I give praise and blessing unto God the Father, the Life of Light. And the Eternal Good.

The Vision of Hermes, like all Hermetic writings, is an allegorical exposition of great philosophical and mystic truths, and its hidden meaning may be comprehended only by those who have been “raised” into the presence of the true mind.
The 1928 work The Secret Teachings of All Ages by Manly P. Hall also has a blurb introducing the Vision.

The Divine Pymander of Hermes Mercurius Trismegistus is one of the earliest of the Hermetic writings now extant. While probably not in its original form, having been remodeled during the first centuries of the Christian Era and incorrectly translated since, this work undoubtedly contains many of the original concepts of the Hermetic cultus. The Divine Pymander consists of seventeen fragmentary writings gathered together and put forth as one work. The second book of The Divine Pymander, called Poimandres, or The Vision, is believed to describe the method by which the divine wisdom was first revealed to Hermes. It was after Hermes had received this revelation that he began his ministry, teaching to all who would listen the secrets of the invisible universe as they had been unfolded to him.

The Vision is the most: famous of all the Hermetic fragments, and contains an exposition of Hermetic cosmogony and the secret sciences of the Egyptians regarding the culture and unfoldment of the human soul. For some time it was erroneously called "The Genesis of Enoch," but that mistake has now been rectified.

That books is an excellent source on the occult and I will be referencing it more later insha'Allah, however, it's chapter on Islam is ignorant and insulting so I am not linking directly to the entire work. For now, here is the Vision:

The Vision of Hermes

(as found in The Wisdom of the Egyptians by Brian Brown)

ONE day, Hermes, after reflecting on the origin of things, fell asleep. A dull torpor took possession of his body; but in proportion as the latter grew benumbed, his spirit ascended into space. Then an immense being, of indeterminate form, seemed to call him by name.

"Who art thou?" said the terrified Hermes.

"I am Osiris, the sovereign Intelligence who is able to unveil all things. What desirest thou?"

"To behold the source of beings, O divine Osiris, and to know God."

"Thou shalt be satisfied."

Immediately Hermes felt himself plunged in a delicious light. In its pellucid billows passed the ravishing forms of all beings. Suddenly, a terrifying encircling darkness descended upon him. Hermes was in a humid chaos, filled with smoke and with a heavy, rumbling sound. Then a voice rose from the abyss, the cry of light.

At once a quick-leaping flame darted forth from the humid depths, reaching to the ethereal heights. Hermes ascended with it, and found himself again in the expanse of space. Order began to clear up chaos in the abyss; choruses of constellations spread above his head and the voice of light filled infinity.

"Dost thou understand what thou hast seen?" said Osiris to Hermes, bound down in his dream and suspended between earth and sky.

"No," said Hermes.

"Thou wilt now learn. Thou hast just seen what exists from all eternity. The light thou didst first see is the divine intelligence which contains all things in potentiality, enclosing the models of all beings. The darkness in which thou wast afterwards plunged is the material world on which the men of earth live. But the fire thou didst behold shooting forth from the depths, is the divine Word. God is the Father, the Word is the son, and their union is Life."

"What marvellous sense has opened out to me?" asked Hermes. "I no longer see with the eyes of the body, but with those of the spirit. How has that come to pass?"

"Child of dust," replied Osiris, "it is because the Word is in thee. That in thee which hears, sees, and acts is the Word itself, the sacred fire, the creative utterance!"

"Since things are so," said Hermes, "grant that I may see the light of the worlds; the path of souls from which man comes and to which he returns."

"Be it done according to thy desire."

Hermes became heavier than a stone and fell through space like a meteorite. Finally he reached the summit of a mountain. It was night, the earth was gloomy and deserted, and his limbs seemed as heavy as iron.

"Raise thine eyes and look!" said the voice of Osiris.

Then Hermes saw a wonderful sight. The starry heavens, stretching through infinite space, enveloped him with seven luminous spheres. In one glance, Hermes saw the seven heavens stretching above his head, tier upon tier, like seven transparent and concentric globes, the sidereal centre of which he now occupied. The milky way formed the girdle of the last. In each sphere there rolled a planet accompanied by a genius of different form, sign and light. Whilst Hermes, dazzled by the sight, was contemplating their wide-spread efflorescence and majestic movements, the voice said to him:

"Look, listen, and understand. Thou seest the seven spheres of all life. Through them is accomplished the fall and ascent of souls. The seven genii are the seven rays of the word-light. Each of them commands one sphere of the spirit, one phase of the life of souls. The one nearest to thee is the Genius of the Moon, with his disquieting smile and crown of silver sickle. He presides over births and deaths, sets free souls from bodies and draws them into his ray.

Above him, pale Mercury points out the path to ascending or descending souls with his caduceus, which contains all knowledge. Higher still, shining Venus holds the mirror of love, in which souls forget and recognize them in turn. Above her, the Genius of the Sun raises the triumphal torch of eternal beauty. At a yet loftier height, Mars brandishes the sword of justice. Enthroned on the azure sphere, Jupiter holds the sceptre of supreme power, which is divine intelligence. At the boundaries of the world, beneath the signs of the Zodiac, Saturn bears the globe of universal wisdom.

"I see," said Hermes, "the seven regions which comprise the visible and invisible world; I see the seven rays of the word-light, of the one God who traverses them and governs them by these rays. Still, O master, how does mankind journey through all these worlds?"

"Dost thou see," said Osiris, "a luminous seed fall from the regions of the milky way into the seventh sphere? These are germs of souls. They live like faint vapors in the region of Saturn, gay and free from care, knowing not their own happiness. On falling from sphere to sphere, however, they put on increasingly heavier envelopes. In each incarnation they acquire a new corporeal sense, in harmony with the surroundings in which they are living. Their vital energy increases, but in proportion as they enter into denser bodies they lose the memory of their celestial origin. Thus is effected the fall of souls which come from the divine ether.

Ever more and more captivated by matter and intoxicated by life, they fling themselves like a rain of fire, with quiverings of voluptuous delight, through the regions of grief, love, and death, right into their earthly prison where thou thyself lamentest, held down by the fiery centre of the earth, and where divine life appears to thee nothing more than an empty dream."

"Can souls die?" asked Hermes.

"Yes," replied the voice of Osiris, "many perish in the fatal descent. The soul is the daughter of heaven, and its journey is a test. If it loses the memory of its origin, in its unbridled love of matter, the divine spark which was in it and which might have become more brilliant than a star, returns to the ethereal region, a lifeless atom, and the soul disaggregates in the vortex of gross elements."

Hermes shuddered at these words, for a raging tempest enveloped him in a black mist. The seven spheres disappeared beneath dense vapors. In them he saw human spectres uttering strange cries, carried off and torn by phantoms of monsters and animals, amidst nameless groans and blasphemies.

"Such is the destiny," said Osiris, "of souls irremediably base and evil. Their torture finishes only with their destruction, which includes the loss of all consciousness. The vapors are now dispersing, the seven spheres reappear beneath the firmament.

Look on this side. Do you see this swarm of souls trying to mount once more to the lunar regions? Some are beaten back to earth like eddies of birds beneath the might of the tempest. The rest with mighty wings reach the upper sphere, which draws them with it as it rotates. Once they have come to this sphere, they recover their vision of divine things. This time, however, they are not content to reflect them in the dream of a powerless happiness; they become impregnated thereby with the lucidity of a grief-enlightened consciousness, the energy of a will acquired through struggle and strife. They become luminous, for they possess the divine in themselves and radiate it in their acts.

Strengthen therefore thy soul, O Hermes! calm thy darkened mind by contemplating these distant flights of souls which mount the seven spheres and are scattered about therein like sheaves of sparks. Thou also canst follow them, but a strong will it needs to rise.

Look how they swarm and form into divine choruses. Each places itself beneath its favorite genius. The most beautiful dwell in the solar region; the most powerful rise to Saturn. Some ascend to the Father, powers themselves amidst powers. For where everything ends, everything eternally begins; and the seven spheres say together: 'Wisdom! Love! Justice! Beauty! Splendor! Knowledge! Immortality!'"

"This," said the hierophant, "is what ancient Hermes saw and what his successors have handed down to us. The words of the wise are like the seven notes of the lyre which contains all music, along with the numbers and the laws of the universe, The vision of Hermes resembles the starry heaven, whose unfathomable depths are strewn with constellations.

For the child this is nothing more than a gold-studded vault, for the sage it is boundless space in which worlds revolve, with their wonderful rhythms and cadences. The vision contains the eternal numbers, evoking signs and magic keys. The more thou learnest to contemplate and understand it, the farther thou shalt see its limits extend, for the same organic law governs all worlds."

The prophet of the temple commented on the sacred text. He explained that the doctrine of the word-light represents divinity in the static condition, in its perfect balance. He showed its triple nature, which is at once intelligence, force, and matter; spirit, soul, and body; light, word, and life. Essence, manifestation, and substance are three terms which take each other for granted. Their union constitutes the divine and intellectual principle par excellence, the law of the ternary unity which governs creation from above downwards.

Having thus led his disciple to the ideal centre of the universe, the generating principle of Being, the master spread him abroad in time and space in a multiple efflorescence. For a second part of the vision represents divinity in the dynamic condition, i.e., in active evolution; in other terms, the visible and invisible universe, the living heavens.

The seven spheres attached to the seven planets symbolise seven principles, seven different states of matter and spirit, seven different worlds which each man and each humanity are forced to pass through in their evolution across a solar system. The seven genii or the seven cosmogonic gods signify the superior, directing spirits of all spheres, the off-spring themselves of inevitable evolution.

To an initiate of old, therefore, each great god was the symbol and patron of legions of spirits which reproduced his type in a thousand varieties, and which, from their own sphere, could exercise their action over mankind and terrestrial things. The seven genii of the vision of Hermes are the seven Devas of India, the seven Amshapands of Persia, the seven great Angels of Chaldæa, the seven Sephiroths of the Kabbala, the seven Archangels of the Christian Apocalypse. The great septenary which enfolds the universe does not vibrate in the seven colors of the rainbow and the seven notes of the scale, only; it also manifests itself in the constitution of man, which is triple in essence, but sevenfold in its evolution.

"Thus," said the hierophant in conclusion, "thou hast reached the very threshold of the great arcanum. The divine life has appeared to thee beneath the phantoms of reality. Hermes has unfolded to thee the invisible heavens, the light of Osiris, the hidden God of the universe who breathes in millions of souls and animates thereby the wandering globes and working bodies.

It is now thine to direct thy path and choose the road leading to the pure spirit. Henceforth dost thou belong to those who have been brought back from death to life.

REMEMBER THAT THERE ARE TWO MAIN KEYS TO KNOWLEDGE. This is the first: 'The without is like the within of things; the small is like the large; there is only one law and he who works is One. In the divine economy, there is nothing either great or small.' And this is the second: 'Men are mortal gods and gods are immortal men.' Happy the man who understands these words, for he holds the key to all things.

Remember that the law of mystery veils the great truth. Total knowledge can be revealed only to our brethren who have gone through the same trials as ourselves. Truth must be measured according to intelligence; it must be veiled from the feeble, whom it would madden, and concealed from the wicked, who are capable of seizing only its fragments, which they would turn into weapons of destruction. Keep it in thy heart and let it speak through thy work. Knowledge will be thy might, faith thy sword, and silence thy armor that cannot be broken."

The revelations of the prophet of Amon-Râ, which opened out to the new initiate such vast horizons over himself and over the universe, doubtless produced a profound impression, when uttered from the observatory of a Theban temple, in the clear calm of an Egyptian night.

The pylons, the white roofs, and terraces of the temples lay asleep at his feet between the dark clusters of nopals and tamarind trees. Away in the distance were large monolithic shrines, colossal statues of the gods, seated like incorruptible judges on their silent lake. Three pyramids, geometrical figures of the tetragram and of the sacred septenary, could be dimly seen on the horizon, their triangles clearly outlined in the light grey air. The unfathomable firmament was studded with stars. With what a strange gaze he looked at those constellations which were depicted to him as future dwellings!

When finally the gold-tipped barque of the moon rose above the dark mirror of the Nile which died away on the horizon, like a long bluish serpent, the neophyte believed he saw the barque of Isis floating over the river of souls which it carries off towards the sun of Osiris. He remembered the Book of the Dead, and the meaning of all the symbols was now unveiled to his mind after what he had seen and learned; he might believe himself to be in the crepuscular kingdom of the Amenti, the mysterious interregnum between the earthly and the heavenly life, where the departed, who are at first without eyes and power of utterance, by degrees regain sight and voice.

He, too, was about to undertake the great journey, the journey of the infinite, through worlds and existences. Hermes had already absolved him and judged him to be worthy. He had given him the explanation of the great enigma "One only soul, the great soul of the All, by dividing itself out, has given birth to all the souls that struggle throughout the universe."

Armed with the mighty secret, he entered the barque of Isis. Rising aloft into the ether, it floated in the interstellar regions. The broad rays of a far-spreading dawn were already piercing the azure veils of the celestial horizons, and the choir of the glorious spirits, the Akhimou-Sekou, who have attained to eternal repose, was chanting:

"Rise, Râ Hermakouti, sun of spirits! Those in thy barque are in exaltation. They raise exclamations in the barque of millions of years. The great divine cycle overflows with joy when glorifying the mighty sacred barque. Rejoicing is taking place in the mysterious chapel. Rise, Ammon-Râ Hermakouti, thou self-creating sun!"

And the initiate replied proudly: "I have attained the country of truth and justification. I rise from the dead as a living god, and shine forth in the choir of the gods who dwell in heaven, for I belong to their race."

Such audacious thoughts and hopes might haunt the spirit of the adept during the night following the mystic ceremony of resurrection. The following morning, in the avenues of the temple, beneath the blinding light, that night seemed to him no more than a dream . . . though how impossible to forget . . . that first voyage into the intangible and invisible!

Once again he read the inscription on the statue of Isis: "My veil no mortal hand hath raised." All the same a corner of the veil was raised, but only to fall back again, and he woke up on the earth of tombs.

Ah, how far he was from the goal he had dreamed of! For the voyage on the barque of millions of years is a long one! But at least he had caught a faint glimpse of his final destination. Even though his vision of the other world were only a dream, a childish outline of his imagination, still obscured by the mists of earth, could he doubt that other consciousness he had felt being born in him, that mysterious double, that celestial ego which had appeared to him in his astral beauty like a living form and spoken to him in his sleep?

Was this a sister-soul, was it his genius, or only a reflection of his inmost spirit, a vision of his future being dimly foreshadowed? A wonder and a mystery! Surely it was a reality, and if that soul was only his own, it was the true one. What would he not do to recover it? Were he to live millions of years he would never forget that divine hour in which he had seen his other self, so pure and radiant.

The initiation was at an end, and the adept consecrated as priest of Osiris. If he was an Egyptian, he remained attached to the temple; if a foreigner, he was permitted, from time to time, to return to his own country, therein to establish the worship of Isis or to accomplish a mission.

Before leaving, however, he swore a formidable oath that he would maintain absolute silence regarding the secrets of the temple. Never would he betray to a single person what he had seen or heard, never would he reveal the doctrine of Osiris except under the triple veil of the mythological symbols or of the mysteries. Were he to violate this oath, sudden death would come to him, sooner or later, however far away he might be. Silence, however, had become the buckler of his might.

On returning to the shores of Ionia, to the turbulent town in which he formerly lived, amidst that multitude of men, a prey to mad passions, who exist like fools in their ignorance of themselves, his thoughts often flew back to Egypt and the pyramids to the temple of Amon-Râ. Then the dream of the crypt came back to memory. And just as the lotus, in that distant land, spreads out its petals on the waves of the Nile, so this white vision floated above the slimy, turbulent stream of this life.

At chosen hours, he would hear its voice, and it was the voice of light. Arousing throughout his being the strains of an inner music, it said to him: "The soul is a veiled light. When neglected, it flickers and dies out, but when it is fed with the holy oil of love, it shines forth like an immortal lamp."